The Last – new cover

Mike GristUncategorized

In line with new designs for The Lost, I updated the cover of The Last. Someday soon I’ll do a full post describing how this cover went from idea to its current state.

Briefly, along with the text changes to the title I described for The Lost, I redid the colorization so his shirt pops more, everything is sharper, and I zoomed the image so he doesn’t look tiny next to Anna in The Lost 🙂

Oh, and I added the biohazard icon at the bottom. 

  
Other news

SY goes to a salsa class tonight! I’ll have some street food dinner with her and a friend in Camden lock area, which promises to be fun.

Camden is full of crusty/hippy/canal boat/hipster types. Last time I went down there one of them said ‘good morning’ to me, but guess what, it was 1pm! Hahaha. Crazy canal folk. 

Here is a maze made by my friend in Japan Rob Nugen-

  
It looks like two frumbly nematodes to me, swimming through uck… Solved it in 8 seconds.

He’s made a bunch of them in his site- 

http://www.amazeaweek.net

Take a look!

The Lost cover!!

Mike GristUncategorized

So yesterday I blogged the cover of The Lost, as part of making the page for my website, but here it is again with commentary-

  

I have changed a number of things from the first iteration of The Last. I think this is easily my most pro-looking cover yet. 

The last font was flat, blank, white, on a line. It stood out, but like typewritten ink on a page.

This one is an interesting font for the title- bobbled up and down unevenly, kerned (some letters pushed closer together) and stretched (original font was more squat), destructed (via a complete layer masking thing I stumbled on by accident), and BIG.

What do you think? The image pops brightly, and I added the biohazard icon at the bottom. In case anyone wasn’t certain it was a zombie story.

It’s available for pre-order!

http://www.amazon.com/gp/aw/d/B013O3SMD6 

It’ll launch on Saturday 15 Aug at $2.99. I’m excited.

The Last has a new-(ish) cover too and I’ll post that tomorrow. 

Other news

I’m sitting now in Imperial College, in the heart of central London, waiting for a call back from the real estate agent about picking up the key to our new house. 

Here’s a wall of heraldic symbols nearby. The building I teach in is the Cities and Guilds building.

  
The fishmongers coat of arms has crossed fish. Cool.

  

The Lost – Zombie Ocean 2

Mike GristBooks, Zombie Ocean

The Lost is Book 2 in the Zombie Ocean series, and a zombie apocalypse story with a twist: the hero is a 5-year-old girl.

7 billion zombies. 1 little girl.

When the zombie apocalypse claims America, only 1 in 10 million survive.

Anna is one of them. She’s five years old. She likes banana milkshakes and Alice in Wonderland. She’s alone in a world she cannot understand.

Will she survive?

‘Alice in Wonderland’ smashed up with the zombie apocalypse like you’ve never seen it before, packed with gore, twists and the delightfully surreal.

 

The Lost, Book 2 of the Zombie Ocean, is available in e-book format for $2.99:

Amazon US

Amazon UK

Amazon CA

Goodreads

Books 3-8 in the Zombie Ocean series are all available now:

ZOMBIE OCEAN full series

Book 1The Last

Book 2The Lost

Book 3The Least

Books 1-3Box Set 1

Book 4The Loss

Book 5The List

Book 6The Laws

Books 4-6Box Set 2

Book 7The Lash

Book 8The Lies

Save

The Lost- cover peek 2

Mike GristUncategorized

So Francisco (my cover artist, found through Deviant Art) has almost finished the cover image for The Lost, sequel to The Last. It’s more zombies plus the little girl, Anna.

Here it is-

 
I love it. She’s vibrant and in the thick of things. It’s dynamic.

He’ll do finishing touches, then I expect I’ll transform it to be in line with the first book. That means desaturate the zombies, amp up the contrast, and of course add titles. 

I’ll work on that today- plus I’ll set up the preorder on Amazon (for just one week away) and start lining up advertising. 

Life

It’s gorgeous weather here in London. Yesterday we went window shopping at Dfs (sofas), Dunelm (furniture), B&Q (DIY & garden) for our new house.

We’re moving in in 2 weeks! I’ll put up some photos later. 

Watched Selma at night. Powerful- SY was very uncomfortable with all the death and racism. Very disconcerting that this same stuff is happening now, still. 

SY is into doing her art. Here’s one she did 2 days ago-

 I love it. Very bold on a white wall. 

The Lost- cover rough sneak peek!

Mike GristUncategorized

Book 2 of my Zombie Ocean series- The Lost- is finished, edited and proofed, and now the cover is almost done too: 
This is the rough sketch from Francisco, and I love it. In the middle is Anna, 5 years old and an apocalypse survivor. This book has some good twists, I think. This cover is just the beginning. 

The book will be out in a week! Stay tuned for details upcoming.

Working on it really made me think about story theory. My writer pal Matt said The Last seems to be primarily a character arc story, with uneven presence of a strong threat.

I guess this is true. It’s also true of The Lost. The name for this kind of novel is Bildungsroman, or ‘coming of age’ story. I’m cool with that, and in the presence of such greats as Great Expectations and Catcher in the Rye. 

Plus zombies. And mystery. With thrills and horror, and a Minecraft-like sensibility. 

Other news

In other news, I’m going to try posting something here every day. Resurrect my site as a blog, about writing, life in London, probably movies and TV.

A quick show of hands- is anybody reading this? I hardly expect folks are, after I’ve let the site lie dormant for so long. It still gets a ton of traffic, but all to the old ruins posts.

If you are, is there anything you’d like to see on here in particular? Bearing in mind I don’t live in Japan anymore, and don’t go to ruins really either? 

Summary

To sum up, I expect posts will have something about writing, something about life, and maybe short reviews. It’s good to share. 

Also, let me know how you like the cover sketch- fleshed out versions to follow in this week before release!

Navigating Life When Things Get Hard

Mike GristNews

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Virtutibus igitur rectissime mihi videris et ad consuetudinem nostrae orationis vitia posuisse contraria. Te enim iudicem aequum puto, modo quae dicat ille bene noris. Sint modo partes vitae beatae. Cum praesertim illa perdiscere ludus esset. Duo Reges: constructio interrete. Quarum ambarum rerum cum medicinam pollicetur, luxuriae licentiam pollicetur.

Alterum significari idem, ut si diceretur, officia media omnia aut pleraque servantem vivere. Qui-vere falsone, quaerere mittimus-dicitur oculis se privasse; Non est enim vitium in oratione solum, sed etiam in moribus. Nummus in Croesi divitiis obscuratur, pars est tamen divitiarum. Si quicquam extra virtutem habeatur in bonis. Istam voluptatem perpetuam quis potest praestare sapienti? Nam ante Aristippus, et ille melius. Laboro autem non sine causa; Mihi, inquam, qui te id ipsum rogavi.

The Last – Last Mayor 1

Mike GristBooks, Last Mayor, Writing

The Last is Book 1 in the Last Mayor apocalypse thriller series.

7 billion dead. 1 man alive.

When the apocalypse hits America, not a soul is left alive.

Except Amo. He’s a comic book artist. He’s a video game world builder. He’s just a regular guy living in New York city, with only his wits, creativity and basic decency to guide him.

He’s alone against 7 billion of the dead.

Will he survive?

A blistering take on the end of the world and one man’s ingenious struggle to survive, with a twist that’ll rip off your head and eat your brains.

Available in e-book, print, and audio:

Reader reviews:

“A fast-paced and intelligent page turner that I couldn’t put down!” – Jules Carson

“Loved this! A surprising twist on the zombie novel. – Mike

“Not your typical Zombie apocalypse book! Loved the ending.” – M. Barker

“By far this is the BEST zombie book I have ever read.” – Cherie Unsworth

“What a great twist on the behavior of the zombies. One of the most thrilling zombie books I’ve ever read. Never saw that coming!” – Amazon customer

“A wrenching, twisted zombie apocalypse thriller like none I’ve read before. I Am Legend by way of World War Z for the Facebook generation – the twists blew my mind!” – Amazon customer

Cover:

See the evolution of the book cover and marketing package.

 

Books 2-8 in the Last Mayor are available now:

LAST MAYOR full series

Book 1The Last

Book 2The Lost

Book 3The Least

Books 1-3Box Set 1

Book 4The Loss

Book 5The List

Book 6The Laws

Books 4-6Box Set 2

Book 7The Lash

Book 8The Lies

Why Walking Dead season 5 whiffed, languished, echoed and finally rocked.

Mike GristReviews, TV

I love Walking Dead. I didn’t at first, I’ll admit that- for a few years in the middle I was staring in disbelief at people as they said it was the best show on TV.

“What?” I’d declaim. “That bunch of pansies?”

It seemed to me that Rick and crew were weak. They failed repeatedly. They were not survivors.

But things changed. I gave it another go at season 3, and I liked what I saw. I’ve liked it ever since, and I liked season 5 plenty too, despite a series of whiffs, languishments, and echoes that it took to get to the badassery.

I’m going to explain all the problems I felt there were in season 5 shortly, particularly about how the cannibals were squandered, but first here’s a broad thesis to get us warmed up:

Walking Dead has changed the way we do zombies.

I love it. In the past, looking at Romero’s early zombie stuff, even through 28 Days Later, up until Zombieland which had the old ‘double-tap’, but very little fighting, zombies were slow shufflers that couldn’t be stopped.

You didn’t fight them. You ran. You barricaded yourself in a mall, or a bus, or whatever. Just being touched by them, being near them, was enough to get yourself infected.

I always found this the height of boredom. As a kid I just mentally switched off. OK, if you’re doing tower defense, then bloody do tower defense! Make that mall impregnable! Gear up! Take the fight to the enemy! Don’t be so damn crouching and pathetic!

In these movies, conflict inevitably came from within. The zombies were the pressure cooker and the people inside were a stew bubbling until someone freaked out, opened the gates, attacked the others, went mad, and brought the whole thing crumbling down.

In essence, these were stories about people being undone NOT by the zombies, but by their own intrinsic weakness.

Ugh. I had no time for that. I hated it in the same way we all came to hate stories of moles in 24. Every season there was a damn mole, and you’d just end up thinking a- ‘this is so damn boring’ and b- ‘when is CTU going to clean up its act?’

Walking Dead in season 1 offered glimmers of how it might reverse this trend. Rick Grimes in season 1 wakes up a bad-ass. He gets on an F-ing horse! He tools up with gear! He rides into the city!

Then he flounders, loses the horse, crawls under a tank, and falls in with a gang of idiot, weak, racist, douche-bags, so soft it is hard to believe any one of them has survived this long.

They go live in a trailer in a wood! Their defense against the dead is a bit of fishing line with some cans tied to it!

These people were revoltingly soft. They almost all died at the end of season 1, almost by choice. They almost imploded under the weight of idiots in their own group. A wife-beater, a wife-cheater, a mad racist, all of that.

BUT.

After the maudlin mopery of season 2, things picked up. Walking Dead changed the dynamic, from being about crying over spilt milk and fostering in-group conflict, they started to GET HARD.

I think this is a significant and awesome development in the genre. Zombies were no longer much of an enemy in themselves. How could they be? They totter. They have skin and bones as soft as lasagne. They mass and make a bad situation worse, but the fascinating thing became where the bad situations came from.

They were no longer caused by in-group weakness. They didn’t require our heroes to be weak or pathetic somehow for a conflict to blow over. Instead, our survivors started coming up against other survivors who were also hard, necessitating a raising of their game.

The Governor was exactly this. They had to man up to deal with him. They had to draw together, buckle down, and GET HARD, yeeha! Of course there was still some insane mopery, because that seems a legacy even the Walking Dead can’t shake off (I’m thinking Rick’s really annoying ‘madness’ and telephone call from the dead after his wife dies). There was just so much more kicking ass going on.

Killing zombies all damn day was background noise. Rick squaring off with the Governor in a barn, laying it all out there, making life and death choices like a leader we can all respect, that is what it is about now.

That’s what I love. It’s also how Walking Dead has changed zombies. It’s about a solid, heroic in-group, trying to walk the line of humanity in a brutal world, full of intensely dangerous people.

Season 5? **full of SPOILERS**

Season 5 opens with our crew locked in the train car at Terminus, with Rick having just said something like: “They don’t know who they’re messing with.”

It spreads from there into four discernible parts:

1- Mopping up Terminus

2- Separating and wandering and reuniting

3- Beth at the hospital

4- ‘Safe’ in Alexandria

Part 1 was the whiff, as it was FAR TOO SHORT. 2 was the echo. 3 was languishing in a holding pattern. 4 was rocking again.

PART 1- TERMINUS

This just should have been more thorough. It was so grotesque, to listen to this hipsterish asshole chat about banalities while he was eating living people. It was truly revolting, and perhaps that’s one reason they foreshortened the arc.

Our guys bust out through some real luck.

This bit should have gone on and on. If you had to kill some main characters, like Tyreese, whose death was also squandered and meaningless, let it be here. Let us hate these bastards even more.

Then try to make us sympathize with them. The few tiny flashbacks we got on the Terminans backstory were delightfully juicy. Give us some more! Keep it rolling, keep it going. I wanted to see this story play out. I wanted our heroes to have to really RISE to this challenge, like they did with the Governor.

In this case though, they got bailed out. It was a cop-out, like Trashcan Man in The Stand. Boom, Carol saves the day. One woman army. It may be possible, but it was very far from satisfying. I wanted to be forced into their heads. I wanted to see their choices as they made them. I wanted to see the Terminans take their choice to GET HARD and push it over the line.

They denied us that, despite building up to it for so long, and why? Why, really? So as not to blow their load for other sadistic enemies to come? (Wolves?) So as to hurry us aong so we can get to

PART 2 – Separating and wandering and reuniting? ?

This whole bit was pretty much a waste of time and raw filler. It echoed tropes we’d spent most of the previous season watching. they spread out, they get back together. They split up. to be honest, I never believed that hick tit knew anything about how to solve the infection anyway. Seems like Rick didn’t really either. Only the red-head muscleman bought in, and that was because he was a suicidal nutcase seeking meaning in his life.

Who cared, really? Who amongst us in the audience actually wanted them to find any kind of ‘rescue’? So all this was pretty blah. But, at least it got on the move, while at the same time Rick et were dealing with-

Part 3- Beth at the hospital

I’ll say outright, this wasn’t terrible. It was quite fun, if a little difficult to believe. If they really believed salvation was going to come, then why weren’t they seeking it out? If they thought helicopters were going to come from Washington or the UK or somewhere, why didn’t they get in a tooled-up convoy and go find it?

Still, it would’ve been fun, if we hadn’t just been shorted completely on the cannibals and exposed to so much wandering. It just wasn’t the time. I didn’t want to deal with another dystopia when I felt so thoroughly that the previous dystopia had still not been dealt with. Seriously, why did they rush Terminus?

Rick could have had some awesome conversations with them. Trying to strike a deal of some sort. Being forced to do all kinds of awful shit. Anyway. We come to:

Part 4- ‘Safe’ in Alexandria

All of this I loved. It just rings so true. It ties in with the thesis I banged on about above- these people have gotten so hard they have maybe lost something essential. Rick is turning into Shane. He killed a cop in handcuffs with his car, executed him, then told him to shut up.

He is on the edge. They all are. they’ve got PTSD something awful, and they’re coming apart at the seams with paranoia and evilness. They can’t help but kick people around. It is so good to see Carol developed like this, after her husband beat her so badly. Now she’s holding the knife. She will use it.

Rick is back to executing. It’s all going down, because this is the price of being hard. You have to be hard, but to be hard you have to change. You have to be vigilant. You have to do dark things. Don’t you?

This beautifully mirrors real world events. Security is constantly being threatened by psychos, and we have to decide how we’re going to respond. In the new Avengers movie trailer, Ultron says something like that: “You want to be safe. but you don’t want to change.”

Rick et al embody an understanding that change is necessary. They are fine-tuning the line they walk daily. This is the key point where Walking Dead transcends, to me. Through actions, they raise brilliant philosophical points about what it is to be human.

It’s not the boring episodes by the road-side where characters chat to each other interminably about they feel, or talk about faith in God, or any of that, it’s how they act in the face of appalling circumstances. How they band together, and how they determine how much smack to lay down, or whether another approach is best.

Conclusion

I adored Rick’s final lines of the season:

“I was wondering how many of you I’d have to kill, to save you.”

Yes! They’re on a great path. I can quite happily forgive almost all the echoing via wandering and re-uniting, the boring ‘bottle’ episodes of chat, for moments like these.

Squandering the cannibals is harder to forgive. It makes me worry they will squander the Wolves they’ve been building up for most of this season, just as they built up the Terminans. I hope they don’t. I hope, as with the Governor, that they build up the wolves as characters, and give us something to really fear. Give us something to man up for.

They squashed our fear of the Wolves a bit already, with allowing Morgan to take them out already. Every time you raise someone up, you downgrade someone else. I wouldn’t have done that for him. I would have kept them mysterious, up through the trap. Morgan can just turn up and have that look on his face for Rick still. We can see his bo-skills later.

Still. It should be good. these are actually the first out-and-out Mad-Max-looking sadists we’ve come across. Or at least the worst and most organized ones. Don’t squander them, please!

Easter Week

Mike GristEvents

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Virtutibus igitur rectissime mihi videris et ad consuetudinem nostrae orationis vitia posuisse contraria. Te enim iudicem aequum puto, modo quae dicat ille bene noris. Sint modo partes vitae beatae. Cum praesertim illa perdiscere ludus esset. Duo Reges: constructio interrete. Quarum ambarum rerum cum medicinam pollicetur, luxuriae licentiam pollicetur.

Alterum significari idem, ut si diceretur, officia media omnia aut pleraque servantem vivere. Qui-vere falsone, quaerere mittimus-dicitur oculis se privasse; Non est enim vitium in oratione solum, sed etiam in moribus. Nummus in Croesi divitiis obscuratur, pars est tamen divitiarum. Si quicquam extra virtutem habeatur in bonis. Istam voluptatem perpetuam quis potest praestare sapienti? Nam ante Aristippus, et ille melius. Laboro autem non sine causa; Mihi, inquam, qui te id ipsum rogavi.