Mandragora’s Laws

Mike GristFantasy, Stories

It was a bright spring morning when Mandragora came upon the sweet little cottage with the two dead bodies hanging from its eaves.

“What’s all this then?” he asked his skulls, rattling out behind him on their 100 leather tethers.

“Looks like a violation,” they called, bobbing and jostling to see. “A clear violation. Bodies from the eaves, what else could that be?”

Mandragora walked over and studied the bodies. One was a man and he had his skin intact, though one of his legs was gone, and the other was a woman but it wasn’t easy to tell because all her skin had been removed. Mandragora poked the man’s blotchy pink flesh.

“Was I not clear last time? I posted the laws all over.”

“Yes yes,” nodded the skulls, “you were very clear. No cannibals and no human-skinning.”

skulls

Image from here.

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Looking for the Lost

Mike GristBook / Movie Reviews

picture-26Looking for the Lost is one man’s swansong for the ancient vestiges of rural Japan, a multi-threaded tramp through history and culture in search of something perhaps impossible to find. Our narrator Alan Booth rambles on foot through some of the remotest hills and valleys in the country, legend-tripping the paths taken by various historical figures. He is invariably exhausted, blistered, and sodden with rain, mocked by school-children and construction workers, set upon by alternatingly fierce and friendly mama-sans, in whose company he is witty, gently drunk, erudite, and hailed as a bit of a celebrity in the karaoke booth.

The book begins with Booth headed for Tsugaru, a little town at the ‘North Pole’ of Honshu in Aomori prefecture, tramping in the footsteps of a 1944 journey made by the poet Osamu Dazai, for whom it was a return to the land of his childhood. As ever, Booth is beset by rain and heavy winds as he ploughs up narrow valleys towards the Tsugaru Straits. He admires little Buddhist statues, faces worn away by long years of protecting the roadside, at the same time as he dispassionately recounts the details of huge newly constructed bridges, roads, and the exorbitant undersea tunnel project to connect Honshu to Hokkaido beneath the Tsugaru Straits.

The legend-tripping concept allows for a deeper and fuller understanding of the place than otherwise possible. We see the land through not only Booth’s eyes, but also through those of his predecessor. For Dazai, his travels in Tsugaru and the resultant book formed the apex of a career and life filled with drunken histrionics, imprisonment, and bed-ridden sickness, in search of a nursemaid he felt he was in love with.

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The Raw Shark Texts

Mike GristBook / Movie Reviews

shark-cover

The Raw Shark Texts is an experimental idea of a story in book form. The raw ingredients encompass just about every sizzling modern experiment of a story that preceded it: a pinch of Fight Club, two sprigs of the Matrix finely chopped, three cupfuls of House of Leaves, a smattering of Cryptonomicon, a generous dose (at least 6oz) of Eternal Sunshine of the Spotless Mind infused with essence of Memento, all whirl-chopped in a blender, salted with textual decoration, baked in a easter-egg kiln and served up à la mode.

What am I talking about? Well, I’m talking about a book that wants to be more than it is is, or more than you think it is, an ambitious Rorschach Test of a book that wants to discern something about its reader even as its reader discerns the truth (?) about it.

We begin in media res. Our hero Eric Sanderson spends a few pages waking up; flutter-rolling, bang-rattling, and coughing coughing coughing. When he’s awake, he realizes he doesn’t know who he is. A cryptic note from ‘the First Eric Sanderson’ sets him off on a rollicking quest to find out his own identity, leading him deeper into the world of slipstream metaphor, where conceptual fish live in the tidal wash of informational flow, nibbling away at words, ideas, and in particular those old style letter-S’s that were written like this: ∫.

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Long-gone memories of the BE lab

Mike GristHaikyo, Hotels / Resorts, Shizuoka

The BE labs haikyo in Shizuoka is mis-representing itself somewhat by posing as a lab; at best it was a spa-resort for people who worked at a lab, somewhere far off and long ago. It sits in the crook of some distinctly un-Japanese rolling hills, looking rather like a bunker with its zig-zag concrete front-eave and fence-wires on the flat-slab roof.

be-labs-7002

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Bathsheba

Mike GristFantasy, Stories

(Advisory- this is a graphic story, X-rated really.)

Mad Noah can’t give me what I want.

No.
Mad Noah stands in his tent and shouts at me in the doorway- “Incubus of Satan! If you had SEEN the holy holy holy as I have, if you had SEEN!”
And I leave.

Mad Noah comes to me at night and between his whisperings of a world gone mad he slips his fingers between my thighs, and while he tells the story of the one eyed fox that learnt to fly above the second flood, he strokes me, and I do what?

This proud woman, tall, strong, I do what to this little man above me?

I do nothing to stop him at all.
fuseli_nightmare

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Kabuki-za, Kyobashi

Mike GristArchitecture

The Kabuki-za is a fancy-pants theater in Ginza for the screening of Kabuki- a highly stylized and traditional (read ‘boring to most people’) form of storied stage performance. The Kabuki-za is famous as the principal theater for this kind of show in Tokyo- with a long and varied history dating all the way back to 1924.

kabukiza1

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Infiltrating the Rojin home

Mike GristHaikyo, Residential, Shizuoka

The Rojin (old folks) Home we stumbled across in Shizuoka was a happy accident, one of those random call-outs from the back seat of the car that normally go unheeded. We were searching for an abandoned hospital and having little luck- so the mere sight of anything remotely fenced-off fired up our blood and got us out there investigating.

rojin-7002

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Freya 13

Mike GristScience Fiction, Stories

Delathon Rent, a 28 year old technician on the Freya 13 space station, sits slumped in the Outer rim command pod with a gas hatch sealed behind him, video-phone in his lap, waiting for it to ring. He’s been waiting for about 10 minutes now, after intermittently placing calls himself to the Freya Commune for the last hour. He has an awkward itch in the corner of his right eye. He wants to scratch it with the machined tip of his blue biro, but he doesn’t. He’s afraid to even touch his eyes.

Instead, he taps the pen against the video screen nervously. It makes a high clocking sound. He starts shuffling his feet over the dry friction floor to accompany it. For a minute, he considers whistling, then thinks better of it. Whistling is for happy people, and he is anything but happy. He can’t forget Boli’s face. The moment the first of them burst loose from his fingers. Poor Boli, smiling all black-eyed and blind when it happened. Talking to his parents, maybe, or an old girlfriend. They’d left him to die, and so he’d died.

space-station

Image from here.

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Sanyo and BE haikyos, the move

Mike GristUncategorized

Tokyo Times went to the underground bunker in Yamanashi and managed to de-bunk some of the mystery surrounding it. He found a Sanyo magazine which featured a little icon of one of the odd logos from inside the bunker. It doesn’t explain everything, but it goes some distance to removing the thought it might have belonged to a cult.

Mike and I went to the BE lab in Shizuoka- I was going to post my version tomorrow but may go with something else instead- give his a bit more time to breathe before I clog the airwaves with yet more shots of the same place.

In other news- I have now moved in with SY. It was an almost completely painless (SY got scratched while carrying a bookshelf, had to listen to the moving guy wittering on in Korean with no end in sight) endeavour, all completed last Sunday. It sounds strange to say it, but despite adding my desk, chair, TV, and several bookshelves, her place actually feels more spacious than before. I guess we just feng shuied the heck out of it.

I’m thinking I may start reviewing all the books I read here. At the moment I’m reading a lot. As prep for the move I sold a ton of old books, probably about 80, and made around 20,000 yen in credit at the Blue Parrot. I spent that right away, on around 20 new books, and am already ploughing my way through them. Better than TV, especially since LOST is done for this season.

Shizuoka Shimbun Building, Shimbashi

Mike GristArchitecture

The headquarters of the Shizuoka newspaper in Shimbashi, Tokyo, is another Kenzo Tange building- he of Fuji Terebi and the Tocho. It resembles nothing so much as a giant mutated baobab tree, vivid rust-colored and sprouting fat boughs that elide in stubby endings, on one side its groping knubs reaching out to latch onto the closest building.

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