King Ruin – The Ruin War 2

Mike GristBooks, Overview, The Ruin War

King Ruin is a Hard SF thriller, Book 2 in the Ruin War trilogy.

Your soul is the war zone.

In the fearsome battle with Mr. Ruin, elite Graysmith Ritry dived deeper into the fires of the mind than ever before. There he found the ‘Aetheric Bridge’, a crossing-point that links all souls throughout time, and unleashed its awesome power.

Now that power has been noticed. King Ruin, a malevolent entity far greater than Mr. Ruin, wants the secret of the Bridge, and Ritry alone stands in his path.

But Ritry is nothing compared to the King, and there’s nowhere left to dive.

An ancient beast battles the elite Graysmith Ritry in the sunken world of the soul.

Readers have said:

“The twists & drama of this roller coaster ride are wild from the start.” – Bethany.

It is book #2 in the Ruin War trilogy, available in e-book and print formats on Amazon:

Amazon US

Amazon UK

Amazon CA

Goodreads

Book #1 Mr. Ruins

Book #3 God of Ruin

Mr. Ruins: Chapter 1

Mike GristBooks, Excerpt

MR-1000

This is chapter 1, titled RITRY GOLIGH A, of my science-fiction thriller MR. RUINS, book 1 in the RUINS SONATA.

Read more about it here.

Her neurons are starting to burn.

Her name is Mei-An, a sweet-looking meta-Asiat with black face-framing bangs to die for, and her brain is in my hands. She came in to my graysmithy building an hour ago asking for a language inject, for what purpose I have no idea. I didn’t question her. I’m a graysmith, a smith for the gray matter of the mind, and this is what I do: implanting memories, erasing them, easing the weight of them away. One way or another I’ve been doing it all my life.

We’re lying in the dive-bay on my graysmithy’s third floor, a bland gray-walled room, with only the thumping metal bulk of the Electro-Magnetic Resonance machine as a feature. Mei-An and I are enclosed by the EMR, lying face to face like lovers on its input tray. The EMR should be helping me to smoothe her brain’s acceptance of the language inject, as the core-transponders implanted in my brain find resonance with her own, but it isn’t taking well. Her mental immunity’s kicking in, the Lag, and without a deeper dive it’ll fry her badly, losing the inject and along with it a million or so neurons.

“Dopamine’s up,” my assistant Carrolla calls from the EMR’s control panel, barely audible over the thump thump thump of the machine around us. “Get it calmed Rit.”

I’m looking into Mei-An’s eyes, big dark terrfied orbs, and reading in. This happens, sometimes. Perhaps she was scared, or too stiff when Carrolla fed the long syringe through her eye socket and into her brain, inserting the silver liquid engrams. It could just be that her mind isn’t built for receiving injects. It doesn’t matter. I’ve dived deeper than this a hundred times before, into hostile minds bent inward by chemical interference, searching for troop movements and stock-pile stations in the old deep Arctic floes while the skirmishes were at their peak, and it never gets any easier, or safer.

I can feel the Lag snapping up at me from within her head.

“Look at me, yes,” I say to Mei-An, as I slowly work the controls in my mind, bringing my brain’s core-transponders into stronger resonance with her own. “Look at my eyes, Mei-An, that’s it.”

She tries to nod but I can see she’s glitching on motor control too, making her movements uneven and jerky. She’s terrified. I kick a leg at Carrolla to increase the cooling Cerebro Spinal Fluid flow bathing her brain, because if it gets any hotter inside her skull those neurons really will begin to cook.

“It’s OK,” I tell her softly. “Mei-An, I need you to relax. Can you do that?”

She attempts a nod. For an instant I see my face reflected in the liquid sheen of her eyes. This is Ritry Goligh, graysmith, ex-Arctic marine and skirmisher. I look so old. It’s hard to believe the Arctic skirmishes ended 10 long years ago, and I’ve done nothing. I’ve gotten older. I’m 37, and already my face is forming up in lines like calving Arctic ice.

I’m glad as Mei-An moves her head, and this paralyzing image of myself flits away.

“It’s going to be OK,” I say to her in my most soothing tone, “everything’s OK.” Then I slide my transponders’ wavelength all the way down to fully match with hers.

A precautionary warning pops up in my thoughts and I accept it, opening the file of her mind in my own. A meaningless flood of binary data rushes up like bubbles rising through water, unreadable without the aid of a more advanced EMR or a deeper dive. These are the inputs and outputs of billions of her individual brain-cells and their action potential states. I glance over them, able only to see the pattern of her mounting panic. Her whole system is in emergency mode. If I had a better EMR I could fix her through that, but this is proto-Calico, a floating slum built of old wreckage and flotation barrels, and I don’t.

So I dive.

I squeeze her hand and keep my eyes on hers as I plunge deeper into her mind. External signals like holding hands and eye contact are merely a formality now, outer layers of data in the cortex before the real mingling begins, but they help smoothe the way. A tear leaks down her cheek, and distantly I can feel her terror. This far out higher functions like emotion don’t resonate well, though soon I’ll be in the thick of it, and I won’t feel anything so discrete as terror, fear, even love. It’ll all be magma.

I dive harder, and the columns of numbers rise above me like the Allatanc ocean in tsunami- dopamine counts spiking, the neuron firing rate shooting up, even Brodmann’s area for speech flipping belly up as unconsciousness dawns.

“Damn it Rit she’s slipping,” I hear Carrolla faintly from above, the voice of a ghost.

I dive through the readouts and deeper still, down into the root and branch systems of her brain’s architecture, blasting by neurons both afferent and efferent, through dendritic tufts as thick as kelp, so deep I lose my grip on the world above and the sense of my own body flits away, beyond the confines of the machine and into the realm where my mind meets hers.

The Molten Core.

Lava blooms around me, the burning red and orange fire of the living mind. This is her consciousness, where she thinks, and here I am an invader. Here her memories are formed, here they fade, and here too they die. Here she makes all her decisions, driven by her past, propelled by her will and the drives of her body up above. It’s bright and chaotic with the violent churning of her thoughts.

Nearby I can see the language inject is being attacked by the Lag, in a powerful engrammic immune reaction. The Lag here is a kind of worm, massive and fleshy, able to burrow through the blazing lava with ease. I am powerless before it, battered and buffeted by fiery tidal flows.

They wouldn’t do this kind of dive in Calico, beyond the tsunami wall. No one does this kind of dive anymore, because beyond the wall they don’t need to. They have the advanced EMR tech to bypass it completely. But we’re here now, and I’m the only thing that can save a good chunk of sweet Mei-An’s mind.

Everything is to play for now.

My sublavic ship coalesces around me, a submarine built for diving magma in the Molten Core, as it has a thousand times before, hulled with six layers of heat-proof, ablative brick cladding. Within its belly, one by one the crew members fire into existence, like clay pots forged in a kiln, each a facet of my mind and built out of pure attention. I rouse them up and send them to their posts in the ship, so through them I man the periscope at the conning tower and look out into the magma, and through them I order propulsion to bank for the amniotic frequencies sounding within Mei-An’s Solid Core.

The Solid Core is the utmost center of the mind, inaccessible to all. I’ve never entered the Solid Core of another living soul; it would be madness. I’ve only ever dabbled around the edges. The risks inside are far too massive, where the Lag is infinitely stronger, and the pathways are an unquantifiably complex maze. I’m not even sure I could get in if I tried.

But I don’t need to. I only need to get close.

The engine-screw churns the ship inward, and bubbles of memory burst out of the lava ahead, popping over the sublavic ship’s prow, leaving behind frazzled hints of who this girl is and was. In one I glimpse her slinging back Arctic gin in an off-wall dive with a guy with a sternum-piercing. In others she makes her first tentative forays across the tsunami wall and into the neon skulks of proto-Calico, falling into company with smugglers, shits, and the children of Don Zachary, lord of proto-Calico’s criminal enterprise.

The Lag snaps up at me with ravenous meat-jaws from the magma, and I launch a few sacrificial memories as torpedoes to slake its hunger: my walk through the blue-tarp park that morning, the taste of the juice-box Carrolla brought in for me- Arclo-berry, one of the newest strains out of the pack-ice. I won’t miss them too much, and for the moment the Lag is distracted. It’s just a dog, ever hungry; it’ll eat its own tail if I could find a way to feed it to it.

My sublavic ship powers on through molten rock, and in moments I sight the radiant outreach of what I’m looking for through the sonar, embodied as liquid sound. It is waves pulsing through the magma with a steady

thump thump, thump thump

that is utterly unique, and key to deciphering this girl’s burning architecture: her mother’s pulse.

The mother’s pulse is the first memory formed in the neonate brain. Though all other sound is also heard dimly across the mother’s belly wall, muted and simplified like the sublavic’s Engine Order Telegraph bell, it’s the pulse that sounds the loudest for that forming seed in its budding amniotic sac.

thump thump

The pulse is goddess, a fingerprint of the mother’s heart that molds the baby brain like it was soft clay, shaping it in its own image, instilling it with a unique engrammic immunity. It is the foundation all minds are built upon, locked away in the Solid Core at the heart of the mind. And I can use it, but I don’t need to break into Mei-An’s Solid Core to get it. I’m close enough to tap the sound like a keg.

Tuning forks winch out of the sublavic ship’s sides, punching through the brick cladding, to store this invaluable pattern. The forks melt in moments, but the pattern is captured. I turn the ship around and unleash the sound outward through the ocean of lava-thoughts, amplifying it massively. The Lag is soothed at once by this gentle lullaby memory of the womb. I drag the sound away from the Solid Core with me, causing Mei-An’s mind to bathe itself with the right kind of Cerebral Spinal Fluid, tinged with harmonics too complex to fake.

It works. I feel her chemical dopamine levels calming through the flow of lava. Her brain-rate is settling down, so I pull my consciousness out a few layers, back into the realm of my sublavic’s bridge. More meaningless numbers bubble up in green across the periscope, but calmer now, as the panic spike of her immune rejection stills beneath the smoothing pulse.

thump thump, thump thump

The Lag has been quieted, but it’s still out there tracking me sleepily through the lava. The job is not over. If I don’t do something, the Lag will still eventually scrub the language engram-inject completely, so I head to Brodmann’s zone where Carrolla first injected the Afri-Jarvanese engram, in the crevice between the tail-end of the optic nerve and the auditory cortex. There I massage the pulse around the engram’s edges, guiding it by the nose like I would a kelp-tilling shark. It cools the enflamed cells lining the language dump and pets the Lag on its head like a trusty old dog.

I sigh with metaphorical relief.

“Can I have my Arcloberry back?” I ask the Lag, a wordless information request through the Cerebro Spinal Fluid. I remember the memory because I only gave the content not the frame, so I remember that it happened and that it’s now missing, but not any detail or emotional connection. The Lag is mute on its refund policy.

“Walk through the park then?” I press. “Come on, don’t short me.”

It bares its lipless, fleshy teeth. Fair enough, I’ve lost far more in the past, and at least I still have the frame. Nothing earth-shattering happened on my way through the park anyway. Did it?

Dammit. I pull outward, feel my body and the sublavic ship merging back into one as my thoughts suck free of Mei-An’s mind. I rush up the tunnel of data and figures as my consciousness disengages, then I’m out again, and panting hard in the decelerating thump thump of the EMR machine, back in the graysmithy office.

I’m leaning over her still, looking down on her dark eyes staring back at me. I notice I’ve drooled on her face. Oh man, that looks bad. I hastily rub it off, my arm a bit jerky as the gears of my brain slot back into sync. She doesn’t notice, she’s totally out. Then the tray engages, and we’re sliding out of the quieting machine together, into the filtered gray light of the dive-room. It’s gray for just this moment, to not provide any disconcerting stimulus to a disoriented brain.

“Strong work Ritry,” Carrolla says, slapping me on the back.

It takes a moment to associate his words and his movement with the impact on my back. He knows this, and keeps patting until some rudimentary synchronization takes places.

I roll away from Mei-An and look up at my employee Carrolla. He’s tall and shaven-headed, with features just shy of model-worthy. I’ve never asked him, but I think he must have been a skirmish marine too, or at least had the training. He reminds me so much of someone I used to know, but he never fought in the Arctic ice. He’s too young for it, has way too much energy. Instead I’ve always imagined this skulk is his skirmish; the floating slums of proto-Calico. It makes him a tourist, but I can’t complain about that. Having him around makes me feel good.

“Fine work, really excellent,” he’s still saying, words more to key me back to my body and sense than for anything else, “and you bedded it in too. How was the Lag?”

I slide my legs woozily off the EMR-tray, to sit up with my back away from the girl. She’ll need a few hours of medicated sleep for her mind to fully settle.

“Not bad,” I say. My tongue feels thick as a wodge of dry seaweed in my mouth. Carrolla hands me a glass of water and helps me hold it up while I take a sip. Better. “Have you got any more of those Arcloberry juice boxes though?”

He frowns. “What, you gave up the juice? Hell no, Rit, that didn’t come cheap. What’s wrong with water, do you not have enough memories of that?”

I shrug. “It came to mind.”

He laughs. “Well shit. Still, I heard they’ve got vodka mixes out at the skulk-end, some new seed-blend. Sound good? Yes sir. Let’s get you to recovery.”

“I’m fine.”

“Of course, I’m fine also, now move it.”

Carrolla is always effervescent, even when he’s blackout drunk. Perhaps this is part of why I find him cheering, because he hasn’t learned to doubt himself yet, though most people want to punch him after a few minutes. He can get very loud. Either punch him or sleep with him, actually, he gets his share of both.

Together we hoist my body up off the bench, and I can mostly walk on my own, so he mostly lets me, assisting only when I sway. We trudge like that together out of the gray dive-bay, and he’s saying something about the girl, Mei-An. I barely listen.

Down the polished iron-floored corridor we go, to the end of the smithy building, and the outlook space. Here there’s a massage chair with a cerebro-sonic bath, overlooking the green-gray effluent on the Allatanc waves, off the edge of skulk 47.

I let him settle me down in the chair, looking out at the gray sky and level sweep of empty ocean. Beyond the glass the Allatanc spreads north into endless nothingness, into spaces where there used to be ice and life. There’s nothing left now, not since we blew it all up in our hunt for hydrate resources deep underwater, in the Arctic skirmishes. This is the world we’ve made for ourselves.

“Switch on your favorite music,” Carrolla says, as he guides my head into the bath-spot. He makes a good nurse, better than he’d ever have been as a marine. That’s a small mercy. “Settle in, and you’ll be up in time to party.”

“Arcloberry,” I mumble, in place of what I meant to say which was perhaps some kind of joke.

He nods and repeats the word but I don’t hear it, as the world fades back and the sonic bath takes hold with a medley of music I’ve reacted well to in the past. Underneath the beat it attempts to mimic the sound of the mother’s pulse, automatically reverting the body back to the same womb-like state of recovery and growth I put Mei-An into.

It’s a poor facsimile for most, and works even less for me, since I never had a mother, and the pulse I grew up to was the seven-tone chime of an external machine womb, but still, I like the music. In a few hours I’ll wake up feeling better, and so will Mei-An. We’ll probably have sex, part of the contract for those who need a little extra context to frame the mental re-jigging a graysmith provides, and that is not an entirely unpleasant notion. She was pretty, and real.

I drift off thinking of her and the depths of her life, while the sonic-bath does its best to smooth the stress of the dive away.

 

 

I rouse hours later with Carrolla’s steady hand on my shoulder again, odd memories flitting up from the remnants of the bath. Who I am, and what I’ve done.

“You’re up for it?” Carrolla asks, as he lowers the thrum of the sonic bath. “We can always dose her, if you’re not.”

I blink, looking out of the glass. The sky is dark outside; I must’ve been comatose for hours. It was a deep dive, as deep as any I’ve done since working as a graysmith to marines in the Arctic skirmishes. Now I’m woozy and disoriented.

“I’ll do it,” I say, patting at Carrolla’s hand. “Give me a minute.”

“No problem. She’s in recovery.”

“She awake?” He nods. “Five minutes,” I say. “And see you for that Arclo gin later.”

He smiles. “It’s vodka. But I’m glad you remembered.”

His footsteps clank away, and I’m looking out of the glass again, waiting as my mind gets itself together. It’s all darkness beyond, waves lapping against the skulk’s quays, but for a few buoy lights on the kelp-farms and the faint lights of ships out in the distance. All so fragile, tenuous, like limpets clinging to a rock.

Memories of my last skirmish-day dives rise like bubbles from the down deep cortex, those boys and girls who’d needed memories excised and implanted at once, expertise instilled while the trauma of tight-corridor combat and the steady stream of loss was lifted. I hardly breathed back then, between dives and the balm of sex that followed.

I only had sex with the women. The men I spent longer with, sitting by their bedside while they wept about their fathers or mothers, something lost, something found. It’s all complex dopaminic compounds, the body’s unique cocktail, and through it we’re forging a bond in memory that serves as solid ground for the injected engram to bed into. Sex is easier really, and faster, but I never savored being with another man. It would probably only rile the inject up worse, if I tried.

I get up and start through the graysmithy. Down the corridor there are no decorations, only sheer gray walls, plastered and painted since I took this place over, but otherwise unchanged. They look solid but that’s only because I’ve retro-fitted the place with steel pilings I bought from a salvager. This place was as rickety as a junk shop when I took it over, all rotted wood and warped linoleum. I smile at the memory, run my fingers along the wall, and walk on.

Mei-An is waiting in the recovery room, the best room in the graysmithy overlooking another open swathe of gray ocean. She smiles when I come in, a shy thing that belies what she’s done, and gets to her feet.

“Alsh bevral I ferraqu,” she says. “Kalin Very.”

I nod, because she’s speaking Afri-Jarvanese, the language I injected. “Very good. Do you know what it means?”

“Not really. Just a feeling.”

“You said good morning, and wished me well. I suppose it’ll be morning soon.”

She brushes a strand of dark hair from her face, an errant bang. For a long moment she looks at me, sizing me up and down. It’s not an unfamiliar sensation, and not entirely uncomfortable. “They said it’ll make me feel better,” she says at last.

“How do you feel now?”

“Bad. Nauseous. Like I’m not myself.”

“Then it will,” I say. “If you’re willing to trust me.”

“You don’t mind?”

“It’s my job.” I give a smile, which always helps. “And you’re beautiful, so no I won’t mind.”

She raises an eyebrow, clipped like a silkworm, and walks over to me. Each step is measured, a carefully managed gait she surely learned at one of Calico’s schools of manners. She’s dressed again in the clothes she came in wearing, a bright red gho over her shoulders and hanging down like the curtain at an old movie theater, pink stockings underneath. From the Calico Reach, the uppermost crust of the wealthy, across the wall.

“I remember what you did,” she says, taking my hand. “In the skirmishes.”

I hold her hand in my own. Soft, small like all the Reach girls, modified to be that way. I wonder what she’s doing here, why she came to one of the lowest skulks to get her brain mauled, but I won’t ask. Of course she knows something about me now too, some glimmer of my skirmisher life, since I’ve been within her. This is why the post-dive contact is so important, to add context to knowledge that would otherwise be corrosively unsupported. To alleviate the mystery and help the inject sprout roots.

“Don’t think about that,” I say. “Come on, let’s go.”

Hand in hand we walk down the beaten steel floor of the graysmithy, past the reception desk where Carrolla is talking seriously with my receptionist Habeas. He gives me a nod. The elevator chimes in seconds, and we ride the three floors down in silence. There never used to be an elevator either, I added that too. This place was a dump when I came to it.

Outside the air is thick with salt and rot from the off-skulk kelp farms. Stars glimmer faintly overhead through the noxious off-wash of Calico’s glow. A desultory alley winds down to a nondescript dock on the left, flocked with nesting crulls, half gull half crow, and a shark-tiller’s coracle. The dirty gray ocean laps steadily at the dock’s barnacle-crusted plastic flotation barrels, as dark and rhythmic as sex. On the right the alley leads up to the wall through a gauntlet of cheap pink and purple neon, signs glowing off the skulks’ three B’s; brothels, bars, and barrios. Each is lit in their own lurid glow like a row of hungry divas lusting for applause.

Mei-An looks at me. “How can you live here?”

“I don’t live here,” I say. “I just work here.”

In places the neon is interrupted by dark gulches of shadow, lean-to escarpments and scaffolded construction projects, squat boat-holds and opium dens built out of rotten-hulled boats, much of it flotsam salvaged from after the last tsunami. My graysmithy doesn’t look out of place here, about as equally squalid and dingy as the rest. It even has its own neon sign, chosen by Carrolla, though it’s gray, and only says ‘Graysmithy’. I’m not sure if that’s a joke or not, but it seems to amuse him.

With her small hot hand in mine, we start along the alley. Underfoot the skulk fabric shifts, as the flotation barrels it rests upon flex with our weight. Ahead of us, rising above the crock-pot chimneys and uneven lines of the skulk, stands the implacable off-white shank of Calico’s tsunami wall.

It’s vast, of course, as big as any dam in the pre-skirmish days, enough to stop the twenty-meter tsunamis that churn up from quakes in the Allatanc fault-lines. It’s been over twenty years since the last big one, way back when I was a hungry young recruit headed north to the pack-ice, when there was still some ice left. We’ve been due another for as long as I’ve been in the skulks, all these past ten years.

We’re all living on borrowed time.

“You don’t belong here,” says Mei-An, catching me looking up at it. “You belong on the other side. You paid your dues in the skirmishes.”

“I paid enough to stay wherever I want.”

She doesn’t say any more, and I’m glad of it. I wouldn’t want to fall out over this, not when the job is still unfinished, nor do I want to hear any more of her life in Calico. I have enough life histories weighing me down already.

The massage boys, whores, and touts leave us alone as we pass by their neon dens, each a cave to forbidden pleasure. Some give me a wink. These are the people I drink with most nights, after Mei-An is long gone, back to whatever life this new language patch will build for her. All of us make our choices one night at a time.

“You must like it here,” she says, as we turn off the alley and into one of the blue-tarp parks. The old homeless man shouts out something as we pass over the salvage astroturf. A few stunted trees root toward neon from soil-pods dropped amongst the barrels, fractalling out like dendritic tufts. I imagine chromosomal messages passing through them, genetic information like an electronic charge popping on off, on off, as the tree builds the seeds that will outlive it by far.

We skirt the sunken pond, rainwater trapped in the plastic sags where a few barrels have lost their buoyancy, and I wonder how I can best stem her curiosity, in the fewest words.

“You know about the Lag,” I say, hardly a question.

She nods by my side, clutching to my arm more tightly now. I don’t blame her, it’s dark here, out of the park and walking the skulk-slums where the sex-workers and ex-bountymen go to burrow in, ride out the daylight like vampiric worms.

On either side the maze of slums unfolds, shacks built in whatever order their owners settled this giant barrel raft. I came in on the skulk’s first non-wave, when half of these were empty, vacated by those afraid the tsunami warnings were true. I didn’t care. I found an empty condo on a second floor, with glass windows, and like a hermit crab switching shells took it for myself.

“It’s like that,” I say. “This whole place is a Lagged zone, a doldrums in space that doesn’t mean anything to anyone. You can do anything you want out here, and none of it matters, because none of it’s going to last.”

We enter through the backdoor, the canvas walls flexing as I lead her up the stairs.

“I don’t understand,” she says, an excited flutter in her voice. Of course she doesn’t understand.

I ease off my jacket as we enter my bedroom, an oblong space in the air held together with rope and sailcloth. There’s my bed, freshly made, a television which I never use, even a glass wall looking out over the lower slums, all dark outside, and my books. The red glow of an alarm clock casts a brothel-like glow over the neat, hollow rest of it.

“It’s so empty,” she says. I feel through her touch that she is crying. The inject has played havoc with her emotions.

“It’s not empty now,” I say. “You’re here.”

Her gho comes off easily, and now she’s weeping against my chest. This is nothing new. She pulls at the buckle of my belt and starts to kiss my face frantically.

“Thank you,” she murmurs, as her lips crush against mine, her hands racing hungrily into my pants. They come off, as do hers.

She pulls us to the bed, tugging at me so hard it hurts, squirming off her stockings, pressing her hot flesh against mine, folding me into her. She gasps and we begin, this most ancient of complex dopaminic bond exchanges.

 

Buy the book here.

Adventures in Book Marketing: Mr. Ruins

Mike GristBook Cover Design, Marketing

If you follow this blog, you’ll see I’ve been pushing my latest book, Mr. Ruins- which had a cover I poured all my ideas into, but people thought looked like a bunch of worms sitting on an eyeball. :(. It wasn’t meant to be that. So now I’m talking about the glorious misadventures I had on the path to make it, what it became, why it didn’t work, and the new design that has replaced it.

DESIGN ONE

It started off with a clear plan. I had an artist, my old uni friend Alex McArdell, who did me proud with the Ignifer’s Rise cover. I had an idea, that would convey all the awesome stuff in the cover in one intriguing, bizarre image. Here’s what I wanted to get across:

– half the book is set inside a planet’s molten core
– that molten is actually a brain

It seemed simple to me. I had a cool tag-line:

THE MIND IS A MOLTEN CORE

Is it a cool tagline? I still think it is, but I can see that it is pretty much meaningless to any regular person. Perhaps it works after you’ve read the book, but not before. Marketing fail. Anyway, it took lots of money and failz to figure that out.

I pursued this idea of MIND/MOLTEN CORE with a vengeance, adding in the notion of a maze to complicate things further. I like it, it’s clever, but it’s opaque. OK reference images:

REFERENCE IMAGES

My books is weird science fiction, and I’ve liked the look of these China Mieville covers, so I thought I’d go with something similar. Top half is MIND, bottom half is MOLTEN CORE.

King Rat - Perdido - Scar<!--more-->

Here’s a brain.

!CBRAIN1

Here’s a planet’s molten core. I loved this old-style schematic look, and pressed my artist to use it as a background.

cross-section-of-the-earth-and-celestial-spheres-1924

Finally, here’s a book about a labyrinth. Like my book, it has two stories told that revolve around each other, but take place in different places/times. I love the simple labyrinth at the center. So, combo.

kate-mosse

I gave these reference images to the artist, and here’s the progression we followed.

COVER ONE

Alex started with putting everything together. I added in the fonts. It looks pretty boring, but it’s an intermediate stage.

MR

I added my tagline, picked a different font, and added color to the molten core. It still looks kind of like a psychology textbook, but it’s all good.

MR4-1

This is the image I launched on amazon with. I spent some $200 to expose this book cover to many thousands of fairly targeted readers. I ended up with a total of about 70 sales. It would have been more efficient to somehow buy 200 copies myself, if that was possible with ebooks.

I loved it. I look at it, and I still kind of love it. It has a gorgeous maze, it has the brain, it has the molten core.

BUT, I see, if you don’t know that, it doesn’t mean anything. what am I looking at? What is this? Squiggly worms on an eyeball?

I posted this on the writer’s cafe on kboards.com, and got feedback that it was turning people off. It was murky, dirty, hard to read, hard to see. I made the hard decision that I needed a new cover.

MR - 2500

I had to get new art, but tried to stanch the bleeding by simplifying the image, and cleaning it up a bit. However this led to no greater interest.

MR-cover-edit2

I cleaned it up even more, but it made no difference. Shame, but I can see that it just doesn’t draw people in. Afterwards my artist Alex said he thought going with a schematic was a very dry, odd choice. It certainly didn’t work for me. So, something different.

MR-cover-edit-bigpic2

DESIGN TWO

I needed something different. I went to look at bestselling covers in my genre, trying to learn how to better MARKET the book to people who had NEVER SEEN IT BEFORE. This is such an obvious idea, to appeal to what people know/like already, but I hadn’t thought of it that way. Turning a book into a product is one reason I had always wanted a publisher to do it for me. I didn’t know how to do it.

But I’m doing it myself, so man up.

In the bestseller lists of my genres, techno-thriller and apocalyptic science fiction, I saw this cover most prominently:

atlantis

Wow, right? Who doesn’t love an upturned ship? And it just so happened I had a scene that could potentially trump this image- the godship cluster. Ritry goes to an ocean reef like a cruise-ship graveyard, strewn with massive wrecked ships that were tossed there by the global tsunamis. People repopulated them for a time, living in the ruins, then they too were wiped out.

Man, what potential. I have RUINS right there in the title, why not have RUINS on the cover? It makes sense, no?

So, that was the brief I gave to an artist. I want the godships, on a stormy ocean like this one:

21275-stormy-ocean-1920x1200-artistic-wallpaper

I want a tone of grays, with a tiny character at bottom left, like this one:

Behemoth_Station_by_Spex84

And finally, I want a thriller font like this one, a bestseller in techno-thrillers.

pines

COVER TWO

I went on deviantart.com and put up my brief, received about 20 offers from interested artists, and picked the guy who looked best at apocalyptic scenes. This is the process we’ve gone through in the last week.

This is what the artist came up with first. The quality really made me happy, but it doesn’t look post-apocalyptic does it? Maybe sea adventure or similar. So I asked him to make a bigger ship, put it on an angle, maybe replacing the big gray rock jutting up. I also suggested he add in a cluster of humanity, with lights in tiny clinging slums.

When Ritry goes to the godships, everybody is gone. But that doesn’t mean the cover has to be 100% accurate to that. A few lights would help. Also I suggested add another tipped-up ship in the background.

01 MICHAEL COVER

This is what he produced. At this point was when I realized I was probably going to get the vision I wanted- and maybe even better than I expected. I love these slums. So much potential here. the artist has mad skillz. I love it.

I asked he neaten it up, give me more width at the side and more height at top and bottom, plus of course the figure in his speedboat.

02 MICHAEL COVER

Now we are really cooking. This image is gorgeous. He also prepared a back cover-

mr-early2

Works perfectly.

mr-early1

Next up was fonts. I added PINES-like fonts to the top, though I didn’t know how to make it look cool. Whatever, it looked cool to me, so I put this image on the writer’s cafe asking for critiques.

mr-early3

A few folks came back at once saying it was too clean. The fonts were too sharp, and looked like a crime book. the image needed to be grunged up. so, I rolled up my sleeves and tried to figure out how to do it.

I learned how to blend a layer mask in photoshop, how to apply clipping masks to text, and generally how to grunge things up. It took hours, but in the end I came up with this:

MR-1000

So, this is my new cover. My artist was Matias Trehen Rehold, from Chile. He’s great. He’s working now on the covers for books 2 and 3 in the Ruins Sonata.

What do you think? I love it. I can’t stop looking at it. It looks pro! It looks like something I want to read. for the first time on writer’s cafe, people were saying the cover was good, if not great. I’m so pleased. The book is now up on amazon under this cover, with a revised blurb, which again people on writer’s cafe were saying was attractive and drawing them in.

Here’s the new blurb:

The Arctic ice is gone, blasted apart in decades-long resource wars, and global tsunamis have scoured the world into ruin. Survivors hide in utopian cities behind vast flood-walls, or on lawless floating slums on the open ocean, living in fear of the next big wave.

Ex-Arctic marine Ritry Goligh doesn’t care. He lost more in the wars than anyone could understand. Now he lives in the slums, and spends his nights in an alcohol-soaked blur of violence and sex, until a shadowy figure with an excellent hat drops the corpse of Napoleon at his feet.

This is Mr. Ruins, a sadist and mass murderer. In the rusted hull of a belly-up cathedral ship, he offers Ritry a better life, built on the back of stolen thoughts. But he asks a terrible price, and Ritry must decide what kind of man he wants to be- predator, prey, or something wholly new, before Mr. Ruins steals the one thing he has left: his soul.

CONCLUSION

It takes me multiple passes to reach both a good cover and a good blurb. It was the same with Ignifer’s Rise, I launched with one cover, changed it once, changed it twice, also with the blurb. Maybe it just takes 2 or 3 rounds of editing to get the marketing right. And even for Ignifer’s Rise now, I think the cover could be better.when I release the second in the series, I may get the first re-done.

So so so! I will re-launch Mr. Ruins with some promo when I launch book 2, King Ruin, in a few weeks. Excited again!

Also- I’ll do a marketing post like this for all my books- starting with The Lost next, and then going back over Mr. Ruins (which has a new cover coming) and the others.

See other posts in the book marketing range here.

In the meantime, you can buy Mr. Ruins here:

New Release – Mr. Ruins at 99 cents!

Mike GristBooks

MR - 215My brand new science fiction techno-thriller Mr. Ruins is out on amazon, and on sale for just 99 cents/pence internationally until August 20th (after which it goes back up to $4.99).

So if you want to buy, I suggest you buy now!

Amazon US

Amazon UK

Amazon Ca

Amazon Au

Already it has 10 reviews, with a 4.6 average rating. Get in on this great deal now.

 

“Mr. Ruins is a heart-stopping, high-octane SF technothriller.”

“Gorgeously drawn ruins blend with an utterly unique story.”

In the tsunami-drenched dregs of a sprawling future-ruin, ex-skirmisher Ritry Goligh must learn to fight through the mind’s Molten Core, while 7 lost marines venture deep into the heart of consciousness, before the sadistic Mr. Ruins can steal his soul.

 

It’s an idea I’ve been kicking around in my head for over a year, inspired by all the ruins I’ve visited. What if somebody lived in those ruins? What if they found a way to suck energy out of them, like a vampire?

Here’s the cover at high resolution. I worked with the supremely talented Alex McCardell to get it just so.

MR-big

Here are those links again-

Amazon US

Amazon UK

Amazon Ca

Amazon Au

I hope you enjoy it!

Mr. Ruin – The Ruin War 1

Mike GristBooks, Overview, The Ruin War

Mr. Ruin is a Hard SF thriller, Book 1 in the Ruin War trilogy.

Your mind is the battlefield.

In the war that devastated the world, ex-marine Ritry was a ‘Graysmith’ – an elite interrogator who dived deep into the hellish fires of enemy minds. His efforts made him a hero, saving countless lives, but also scarred his sanity and lost him everyone he ever loved.

Now Ritry sees a chance at redemption. A shadowy figure known only as Mr. Ruin offers him an awesome power – the ability to dive not just into minds, but into the fabric underlying reality itself. Ritry could rewrite his past and start again.

But there is a terrible cost – as Mr. Ruin demands Ritry’s absolute loyalty. And Mr. Ruin is not a good man, with vicious deeds in mind.

Ritry only has to choose.

The powerful Mr. Ruin hunts broken ex-marine Ritry into the hellish fires of the mind.

Readers have said:

“The twists & drama of this roller coaster ride are wild from the start.” – Bethany.

It is book #1 in the Ruin War trilogy, available in e-book and print formats on Amazon:

Amazon USAmazon UKAmazon CA

Book #2 King Ruin

Book #3 God of Ruin

Cover:

To see the evolution of the book cover and marketing package, go here.

Excerpts:

Chapter 1 of Mr. Ruins here.

Why Game of Thrones is a knockout bracket – TV review

Mike GristBook / Movie Reviews

Before the last US election (2012) there was an intensely mad and squabblish Presidential Primary for the GOP, during which a whole heffalump of oddball candidates popped their heads up, beat the crap out of each other in televised debates, then died dramatically politically. At the end one victor was left standing to go up again his highness, Barack Obama, to become King President of all the realm.

As it with the GOP, so it goes with the GOT (Game of Thrones).

GOP & GOT

Perhaps it is utterly obvious that everything we see in GOT is a knockout tournament winding up to a final national election for all of Westeros, in which the Primary winner will go head-to-head with the unstoppable rise of an old incumbent, the ice zombies from the North. These guys have been on the political ticket since way back in the First Men days, but it’s been a slow (cold-) burn, building up from the ice-roots.

The bracket of GOT Primary contenders looks something like this:

Stannis Baratheon —————————————————————-
vs.
Tommen Lanister —————————————————————-
vs.
A Stark ——————————————————————————– VS. Ice Zombies
vs.
Daenerys Targaryon—————————————————————-
vs.
Cluster-$%&* of Littlefinger, Iron Islanders, Boltons, and others——

A whole bunch of contenders have already fallen by the wayside, including a few Starks (Eddard and son [Ron Paul and Rand Paul]), Lannister/Baratheons (fat Full Monty Robert Baratheon [Newt Gingrich] and Joffrey crossbow-whore Baratheon [uh, Santorum?]), the male Targaryon, very early on [Rick Perry], and maybe some others.

They’re all dead. They got knocked out in the elimination rounds, but others sprung up in their places, like Herman Cain, Tim Pawlenty, and what have you. Some of them had come to Jesus moments (Lord of Light’s Stannis Baratheon), some lost their balls along the way (poor Theon Greyjoy), and others just can’t keep up with the funding requirements (Stannis again).

But it is a knockout. It is the structure of the story, and it is leading towards an almighty clash against the ultimate winner of the Primary (strait-laced Romney) and the fixed enemy, the Ice Zombies.

But, as with the GOP Primary, isn’t it obvious who will win the GOT Primary?

A Song of Ice and Fire

I read on a blog somewhere that the ultimate combatants are apparent, because it’s in the saga name for the books- Ice and Fire. Who is Ice and who is Fire? Ice is Ice Zombies. Fire is Dragons. Baddabing, Badda-boom. And isn’t that exactly how George R. R. Martin has set things up?

Daenerys has met none of the other contenders yet. Apparently (from what I’ve read of the books) she will not meet any of them for several seasons yet. She’s basically governor of her state (Massachusetts), doing good stuff before flip-flopping (free the slaves, indenture the slaves), keeping herself in reserve while she builds car elevators in Meereen.

She won’t clash with the other contenders until the end. In the meantime, we’ve been raised on a diet of early no-hopers. There was no way the Starks were going to become rulers of Westeros. They had no claim anyway. The only one with claims are Lanister Tommen and Stannis, so surely the next season (season 5) is going to be them sucking up the other contenders for support at speaking engagements, smacking the turds out of each other, and finding a winner.

In this season (4) we basically dealt with Mance Rayder. Ha, I didn’t even put him on the bracket. He was an utter also-ran, with less hope than the Starks. Now he’s Stannis’ bitch.

So, that’s where it’s going. The winner of Stannis vs. Tommen will face off with Daenerys at some point, then Daenerys (after learning empire management very slowly and leisurely in Meereen) will lead her dragons and all of Westeros up North to fight the Ice.

Queen of Westeros

She’ll die, I expect, in the fight. Very noble and pure, restoring honor to her family name. Probably, weirdly enough, I expect after that a Stark will become King/Queen of all of Westeros. Actually, I’m going to put my money on Arya Stark becoming the new Queen, after all the dust has settled. I suppose every other noble with a possible claim would have to be dead, but yeah, why not?

Long Live Arya, a new take on an Iron Lady (we all saw her shed no tears for the Hound). Here’s to lots of blood, sexposition, pithy Tyrion quips and a helluva entertaining ride as we look forward to the last stages of the GOT Primary. Hurrah!

the-hound-arya

P.S. In season four, wasn’t there quite a lot of coincidence? It seems a bit cheap, contrived, and inorganic to have Brienne of Tarth not only get her first hint about the whereabouts of Arya from the fat baker’s boy in a random pub, but also then stumble upon Arya and the Hound 10 miles away from the Bloody Gate, not even on a road or anything. Both astronomical coincidences. Also, to a lesser and more forgivable degree, wasn’t it fortunate that the champion Cersei chose was the Mountain, who had a sworn enemy in Oberyn Martell, who also just happened to be in town at the time he could get his revenge while at the same time saving Tyrion?

What the hell, fortune favors the bold. I go with Oberyn. Brienne’s magical journey through the Shire though, I don’t buy. Lazy writing? Maybe, and only really noticeable because the clockwork intermeshing of everything has seemed so earned and organic.

The Spirit of Dreamland

Mike GristTheme Parks, Zine

Several months ago now I was contacted by a reader of my haikyo book, Ruins of the Rising Sun (now retitled Japan in Ruins), who let me know that it, along with my website, had really meant a lot to her. Now, as a writer and photographer, that really meant a lot to me. Reaching out through words and photos was a huge part of not only why I wrote that book, but also why I wrote all the individual posts on this site that contributed to it.

So, I wrote back, letting her know how touched I was by her email, and that it meant a lot to me too- even more now that it had moved her as well.

Wonderful, right? But it got even more wonderful when this reader, her name is Katy Page, sent me a short story she wrote inspired by one of my real-life explorations, in Nara Dreamland. What’s more, it’s a really moving piece of work, and she gave me permission to post it here.

Thank you Katy! Katy’s also great in that she’s been beta-reading a series of science fiction books I’m writing, all about ruins, and offering really great feedback. Thank you again!

Now without further ado, I give you-

The Spirit of Dreamland

by Katy Page (inspired by Nara Dreamland)

It had been a long time since any people had been here in great numbers. Their laughter and happiness still echoed in my ears all these years later. I often roamed my corner of the world looking for anything that might hold residual emotion. Occasionally I found a souvenir and some discarded personal item but usually it was things that had been abandoned with me.

There were a few people who still visited. The security guards came often but mostly they felt resigned to doing their jobs. Sometimes it was local youths daring each other and coming to damage what little I had left. The visitors I liked most were the urban explorers. They came with the kind of wonder and joy I basked in back in my heyday. They didn?t ruin anything and their emotions fed me well.

The other spirits in the area urged me to use what energy I had to scare the youths who came to vandalise my park but I didn?t want to do that. I didn?t want to soak up those emotions. True I was fading fast and soon there would be nothing left but I?d rather that happened than become some dark energy that brought the paranormal investigators and the thrill seekers. It had been a while since anyone had come with positive intentions.

I was drifting around the entrance when they came. At first laughing and joking but soon they split up and began to explore my world with reverence. I drifted after one of them but he must have been sensitive as he obviously felt my presence and began to radiate apprehension. I retreated to my favourite place at the highest point of the park and watched.

They took photos and explored like the excited children that had once gathered here laughing and screaming with joy. The explorers were quiet but I suppose they had no choice. As much as I wanted them to stay and enjoy my faded glory I knew the security guard would find them if they stayed too long. As the sun began to set they gathered to leave, taking my last hope for preservation with them. They had provided some small measure of happiness for me but it was not enough.

As the security guard made his evening inspection I watched from my favourite place. I knew that when the next inspection was made I would no longer be here. My park would live on but I would not be here to slow the inevitable decay. It hurt to see, and although I knew the sadder I felt, the quicker I would burn through the energy I had left, it hardly seemed like the tragedy it had been when there was hope for my park to have a life again.

*

Later that night the security guard was disturbed from his reverie by an eerie sound. It sounded like children?s laughter and carnival music. Warily he went to investigate. Suddenly there was a blinding light and the park lit up as if it was still in operation. He heard the rattle of a rollercoaster, and distant music and clatter of sideshows and arcade machines. The sounds of a busy summer?s day in the park?s peak surrounded him. He began to run, not stopping until he was far away.

The next day one of the other security guards arrived for his shift to find the gate to the park open. Looking around he noticed the park seemed sadder somehow. More decrepit and run down. The paint seemed to be more faded and peeling as if it had aged several years in just one night. Nobody ever heard about what was seen that night, and eventually the security guard convinced himself it had been a dream. If anyone noticed the park was decaying faster now they didn?t mention it or simply put it down to the ravages of nature. Only the local spirits knew there was no longer a spirit of Dreamland.

 

Thank you Katy! I knew I felt a ghostly presence there with me :).

What lies beneath …

Mike GristLife, Ruins Types

This via weburbanist, in turn via Maskull Lasserre.

“Creatures large and small seem to have eaten their way out of the confinement of everyday items like rolling pins, axes, pianos and chairs in the hands of Montreal-based artist Markus Laserre. Previously known for his incredible skulls carved into the pages of books, Lasserre now reveals unexpected life (and death) within wooden objects.”

Maskull-Lasserre-1

Check out the whole article and more pictures at weburbanist.

MJG says- I love this, especially the artist’s coat hangars with the wooden skin stripped back and the underlying bones showing. Yes. Show me the true reality of things, Lasserre, the darkness under the norm.

These images make me think of other instances of this kind of reveal. First to mind is the music video Sober by Tool. It’s from 1994, and features really disturbing clay animation of meat running in pipes. Fantastic. Turn on the faucet and out comes mince. Also grotesque, also what lies beneath, and also a great nightmarish video.

Meat runs in pipes around 4:46-

There must be countless other examples of art at this level. Many books too, including much of the work of Neil Gaiman (Neverwhere, American Gods, The Graveyard Book). Anything springs to mind?

Ignifer’s Rise

Mike GristBooks, Overview

IR-500Ignifer’s Rise is an epic fantasy novel set in a bleak industrial world populated by bizarre castes, where a boy with the fate of the world written in his scars must raise a legendary hero to life, and prevent the rise of an apocalypse god.

Readers have called it- “compelling … impossible to put down … like China Mieville crossed with Orson Scott Card … relentless and moving.

It is book #1 in the Ignifer Cycle, available in print/ebook formats here:

Amazon USAmazon UKAmazon CAKoboGoogle Play

Story:

In a dark and remorseless city splintered by brutal laws of caste, Sen is a child condemned to death. Hunted by the King for the intricate scars that cover his skin, he hides in the city’s last abbey, sheltered by misshapen Sisters who lie to keep him alive.

But he can’t hide forever. When five violent children of wildly different castes enter the abbey, their street-savvy savagery clashes with everything Sen believes, unearthing the core conspiracy: the end of the world is carved in his scars. Now an all-consuming apocalypse god is rising.

Revolution rocks the city. The blood of all castes runs in the streets. With only five broken children at his side, Sen must unite the castes in battle against the King’s aberrant creations, and risk everything he loves to change the fate written in his scars, before the gaping black jaws of the apocalypse descend.

Extras:

– Gorgeous character art for each of the book’s 6 main characters.

Excerpt:

Read the prologue of Ignifer’s Rise here.

About the author:

Michael John Grist is a 34-year old British writer and ruins photographer who lives in Tokyo, Japan. He writes dark, surreal fiction in both fantasy and sci-fi genres.

Reviews:

If you’ve read the book and would like to review it, I (MJG, author) would hugely appreciate it. Even a few words on one of the sites below (or your own blog/social media) about your favorite bits (i.e.- it doesn’t have to be an essay!) would be very welcome. Thanks!

Amazon US Amazon UKAmazon CA

KoboGoogle Play

Goodreads

Ruins / Haikyo free for 3 days!

Mike GristLife

RotRS-icon2I have free stuff for you!
For 3 days starting Thursday 6th Feb to Sat 8th, my Ruins / Haikyo photo book Ruins of the Rising Sun – Adventures in Abandoned Japan will be available for free on Amazon here-

Amazon.com
Amazon.co.uk

(My deep apologies if anyone gets this message twice.)

As you may know- this book tells the story of my 5 years exploring the abandoned ruins of Japan, with highlights of all the best explorations told through a coming-of-age-ish story, with insight on travel, Japan, and growing up from a truly unique and bizarre perspective, accompanied by 200 of my best ruins photographs.

And it is free! This is a considerable discount from the regular price of $9.99. The reason for this is onefold:
1- I think you’re going to really enjoy it, and I really want you to see it so that you can really enjoy it. I wrote it to be read, so for 5 days only I want to make reading it as barrier-free as I can (of course it is still a kindle ebook, but kindle has free apps for I think all smartphones and tablets, so…).

Now on another point, I’ve been working hard with some editors on my soon-to-be-released fantasy novel- Saint Ignifer’s Rise, to make the book as intriguing, fun, and satisfying as possible. It should be available to buy by the end of Feb.
I can also unveil three possible covers I might use, and really welcome any feedback you have. They are not totally finished, rough-ish, but I’d love to know which you think is best, and why.

1- Face and city

2- Face

3- City

I personally lean towards 2- Face, because though I like 1- Face and city, I worry it’s a bit too busy and not especially striking due to that. Anyway, please let me know your thoughts in the comments below!

Also, I’d like to THANK everyone who offered reviews for the ruins/haikyo book- it’s very good of you. There’s a few more I’m hoping to come in, and maybe if you download the book for free you may be tempted to offer a review as well. Please do! Reviews are lifeblood, whether on amazon, goodreads, your blog, or social media.

To that end here are three places I’d love to get your reviews for Ruins of the Rising Sun – Adventures in Abandoned Japan:

Amazon.com
Amazon.co.uk
Goodreads

Thanks everyone, I hope you’ll enjoy the haikyo book if you pick it up!