Hastings Castle and Lowry

Mike GristLife

This weekend SY and I went to Hastings, a southern coastal, town 50-odd miles south of London, to meet my Dad and Ailz, do sightseeing, see art, go antiques shopping, eat fish and chips and check out the ruins of Hastings castle.

Hastings was the landing site for the 1066 invasion of England by the Normans (French), which saw King Harold getting his eye done in by an arrow, as enshrined in the famous Bayeux Tapestry. William the Conqueror became William 1, King of England, and three years later had Hastings castle built on a cliff overlooking both the bustling fishing town and the sea.

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View from Hastings castle out over Hastings town and the sea.

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Inside Hastings castle- on the right is the Mott (raised inner defensive hill)

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One of the main gates in. I climbed around on these walls, naturally.

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Panorama of the ruins. They really fell down. you can see both SY and me in this picture.

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A couple of doorways remain.

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In the dungeons underneath. There were just a few tiny rooms here.

 

Interestingly, half of the castle has since fallen off the receding coastline, making it look much smaller than it once was. It’s ruination seems to have happened in the 14th century, and was mostly a case of the local lords just letting the place go.

Its structure crumbled under its own weight. Local fishermen probably came to mine stone from the massively thick walls to build their homes. Now there’s hardly anything left, though it still commands the highest ground around.

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Me and my Dad in front of Hastings town, My Dad’s photo.

 

We had fish and chips for lunch, with King Prawns for me as a starter, which were utterly succulent. I bought a set of ‘Curiosities of Literature’, 3 black leather-bound books with gold scrollwork, to match the 1841 Bible that is now in our dining room. SY bought various pots and plates. We also picked up bedside tables, which we need.

We went to the Jerwood Gallery, which had a lot of the artist Lowry’s work. He was a manic depressive from Manchester (my neck of the woods) who seemingly never had a girlfriend all his life, after living with his mom until she died, then living alone for 40 years after.

He does a lot of tableaux of scenes full of busy people done in a slightly child-like style, with all the people looking away and a keen sense of the painter’s isolation. He had a tongue-in-cheek sense of humor though too about his own loneliness- with his ‘Self-portrait as a pillar in the sea,’- which is simply a pillar in the sea. Funny stuff. I appreciate him.

Lowry pictures including pillar in the sea.

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And a picture of me and SY by the beach, taken by my Dad.

Why ‘Insurgent’ is, unsurprisingly, utter crap – movie review

Mike GristBook / Movie Reviews

I should not have watched Insurgent, movie two in the Divergent series. I knew it, I know it, but still I watched it. Blame the fact that movie 1, Divergent, while quite ridiculous , drawn-out and annoying for so many reasons, actually has a romance inside it that really appealed to my wife.

‘Maybe it’s not so bad?’ I wondered. It’s true that the lead character, Tris, is way better than Bella in Twilight, while also being more proactive than Katniss in Hunger Games. Those are good things. That it ripped off Harry Potter’s sorting hat and houses for its 5 ‘factions’, that it rips off Matrix-like dream sequences and Hunger Games-ish training sequences and of course the whole dystopian YA thing, are just things.

We know it. We can see there is nothing really original in any of this story’s ingredients. It doesn’t even have the Maze Runner thing of a maze.

What it does have in common with Maze Runner though is a world that just doesn’t add up. People are not like this. And if you genetically enhance them so much that they stop acting like people, then basically you’re admitting they’re not people, and there’s very little left for me to relate to.

I can’t even go into details. Divergent threatened to potentially make sense. Insurgent utterly does not:

  • Trains. Trains that go round and round, and even though the bad guys control the WHOLE CITY, multiple times the good guys escape on a train. After the first time, if I were a bad guy, I’d say ‘OK, so let’s get a big STOP button for the trains and nip this shit in the bud’. Nope.
  • Trains plus- why on Earth does a city need a complex high-speed rail network at all? To what, bring food from the farms? It may be that in the book the area within the walls is really massive. In the movie though, it isn’t. We can always see the wall. It isn’t that far away. It’s hard to imagine that area within the wall could grow enough food for everyone, but hey.
  • Factionless. After movie 1 our crew are now factionless. According to movie 1, this means they are now basically homeless. You’d think this was a massive threat, worse even than divergents, or perhaps the SAME as divergents for going around thinking divergent thoughts, with nothing to do all day, but no. You’d also think-
  • YOU CAN’T CHANGE FACTIONS. Everyone knows this. It is essential to dramatic tension in movie 1, that if you don’t get into Dauntless, then that is it, your life is over. Ha ha, actually- no. You can go join another faction? Yes you can, no bother. Go join Amity. God knows why the rest of the factionless don’t join Amity, or is it because…
  • Factionless ARE divergent. Not only are they training like Dauntless, they have guns and tech and knowhow like Erudite (why in hell do they all say E-ru-i-dite? It’s E-ru-dite! So annoying.). They also are resolutely NOT homeless, they have better lives than most people in factions, they have an army hidden in a big building which nobody ever noticed before (despite the fact it is plainly sucking big energy off the grid) and nobody went looking for.
  • Honestly, I’d be going after factionless, not divergent.
  • Then there is all the BS with serums, and tests, and then SPOILER the whole McGuffin is to open a can that says the whole city is an EXPERIMENT? Ugh, Maze Runner, please. An experiment where dying humans decide to form a walled society where they split people into factions, so they can see if someone appears within that city who is a regular human and not a weird faction person.
  • It is just ridiculous.
  • The bad guys don’t ever know where the good guys are. Despite them controling the WHOLE CITY. There are HUNDREDS of rogue Dauntless hanging out on the stoop of the Candor building, hello, come get me! And there are 4 in Amity! How do they knot know this? Do they not have CCTV on their trains, for where these douchebag Dauntless punks jump on and off? ‘Get me a BIG STOP button and get me CCTV on the train doors too.’
  • What else? So much. More serum-instigated Matrix-y VR sequences. Endless backstory. A mom who was surely the SAME AGE as her son.

Man, it was poor. So poor.

And at the end, even after that message in the can, they STILL didn’t go outside the wall!! So stupid. The third book is apparently going to be TWO movies. Egad. Saints preserve us. I will be strong and will not watch this movie, which is so plainly aimed at kids who’ve never seen another movie in their lives.

I am certainly not their demographic. Lesson learned.

A future without teachers…?

Mike GristLife

Last night I went to a panel discussion at Regent’s University titled ‘The Future of English’ featuring several luminaries (the ‘great men’) of the TEFL (Teaching English as a Foreign Language) world.

TEFL is my day job.

David Graddol was there, who inspired my MA thesis. He writes about the megatrends of the world, like demographics, economics, military, culture and so on, and how they affect the role of English in the future.

For example- if China became the dominant cultural outputter (surpassing Hollywood in amount and quality, perhaps), then will we all be more likely to learn Chinese? Of course if that happened, it may also reflect a surge of creativity and artistry in China, which would likely also mean their economy would be vast and advanced, their science peerless, and so on.

Essentially, his answer is NO, no other language is going to surpass English for a long time, if ever. Though English itself is breaking down into regional dialects or even pidgins (like Singlish, Singapore English), getting divorced from its culture, and used as a utilitarian tool.

My thesis looked at how similar megatrends affected motivation to study English in Japan, and how changes in those trends may develop. It’s fun, big picture stuff.

He was on the panel and he talked about some of that, plus new stuff about how tech is changing the TEFL sphere. Have you heard of Grannies in the Cloud?

https://grannycloud.wordpress.com/about/

It’s outsourcing English teaching to grannies via skype. It’s basically disintermediation of teaching, where the middle men to be cut out are professional teachers. Crazy, huh? You’d think the one thing you can’t take out of teaching are the teachers. But maybe you can- with a lot of Massively Open Online Courses having a few teachers per thousands of subscribers- and a lot of the ‘teaching’ coming from peer collaboration.

It’s exciting stuff, but slightly worrisome for TEFL teachers. Add that to publishers trying to replace teachers with software integrated with textbooks, and yeah, it’s all a giant conspiracy to put me out of a job.

Plus, there’s new tech, with Google Translate coming on leaps and bounds, Skype offering simultaneous interpretation, and a new realization that most people who need English don’t need it much. Everyone is pressed for time, and if there’s a fast route around spending 100s of hours learning just to get to pre-intermediate level, people will happily take it.

*weeps in terror of a future without teachers*

I’m all for it, really. Think of all the millions of work-hours spent doing so elementary as ‘learning a language’. Everyone already has one language! Unless they learn languages for the love of it, spending time learning more than one is a waste, no?

We’re talking about endless lifetimes of human endeavor spent, just so we can communicate? I’m sure there’s something better all those people can do if tech can take over the translation duty.

Like working on their adult coloring-in, maybe. I hear it’s good for stress.

Also at the panel were Scott Thornbury and Paul Seligson, equally luminescent authors and teachers.

At the end of the discussion they asked for questions. My hand shot up. The mic came over.

“How can we future-proof ourselves as teachers, so we won’t be out of a job?”

Applause. Amazing question.

The answer was- well, stay on top of tech. Incorporate it into your classes. Become a facilitator of resources like the students’ mother tongue as well as Google translate and others, aiming to help students ‘communicate’ rather than just ‘learn the language’.

Cool.

Afterward there were free beers and socializing. Scott Thornbury came right over to our table and we dug into meaty issues. After 30 minutes of that I hunted down David Graddol and listened to more fear-stoking conspiracy theories about disintermediating publishing companies.

What fun.

That breakeven point I was talking about…

Mike GristLife

The stats from Amazon are in and I can finally represent, in hard-data graph form, the beautiful surfacing of my books net earnings- up from the depths of debt and into the dizzying clear sky of profit.

It has been a long time coming (two years self-publishing now) and there was never any certainty I’d get even this far. It is a great positive milestone, of which I hope there will be many more.

graph

The green line is cumulative total revenue (not total profit as the key says), the orange line is cumulative total costs, and the blue bars are cumulative net profits (ie- what I keep).

As you can see, for all of existence they were negative. Deep down there in the belly of the beast. Cumulative revenue crept up agonizingly slowly. Then suddenly in April it started to climb, thanks to The Last, which was enough to dig me out of debt and by September put me in the black.

You may wonder what put me in the red in the first place. Primarily it was the editing cost for my fantasy novel Ignifer’s Rise, on which I spent $600 dollars. That got the hole started. But every book since was about $300-$400 of cost- for covers and sometimes editing or proof-reading, plus promotions. They all dug the hole down, and not one of my books ‘earned out’ on that investment until now.

The Last earned out, The Lost has as well, and I’m hopeful book 3 will bring it all home.

There are no numbers on the graph- but it’s not big money. Yet…

The Walking Dead S6 E01 ‘First Time Again’ Strategy Fail

Mike GristTV

Count the number of tiny bandages on Rick’s face. Go on count them.

5? 4? 3?

When it gets down to 1 he’s basically recharged and it’s clobbering time, like an Energizer bunny.

Ah I love the Walking Dead. Zombies, Rick Grimes, murderin’, gore, zombie conga, it just gets no better. I love the episodes that open with a time jump and I’m left wondering- wait, is this episode one? I love use of black and white. I love zombie cattle drives, and uncomfortable looks between Rick and the woman whose husband he executed, and diggin’ graves, and brain stabbing, and all the delicious Shane-esque survive-or-die immoral pragmatism.

But I do take issue with their strategy, from time to time. Don’t get me wrong, this was a great episode. The town of softies are starting to work as a team, and Rick is still agonizing beautifully over whether he should just kill them all to ‘save them’ or let them bumble along like a bunch of nappy-wearing babies in the face of the dead.

I love that they’re doing engineering. It’s about damn time. In previous seasons they didn’t take control of their environment at all. They were like cuckoos, looking for a nice, pre-existing nest to set up in. They found a prison and said- yup, looks good to me. Chain-link fence, that’s A-OK.

Whaaaat?

Now I’ve written two zombie books myself (third on the way 😉 ), and I’ve thought about these things a bit more. What they see at the quarry is something they should have been doing all along. Why didn’t they line the prison fences with semi-articulated trucks and trailers? Why didn’t they build up cold-rolled steel-plate walls in addition to the feeble fences? Why didn’t they go out and dig trenches, or make spikes, or set up a diversionary sound to draw the zombies away?

I think all that now.

SO- it was brilliant to see them start thinking big. The Wolves have been using zombies as traps. Honestly, they’re not that dangerous as long as you’ve got a motor, a high place, and enough ammo. they can be herded. They can be distracted. So leading them away, OK, it’s better than no plan at all, especially with one of semis ready to fall off the cliff.

BUT.

It it the best plan? Frankly, no. Widen your gaze, Rick Grimes. That quarry was a perfect zombie pit. The only way out was a winding path up a shale road. Your choices are:

  • Reinforce it. It would be way less effort than setting up their U-bend turning fence on the road. All you need is a few more semis that you can park across the road, which will guide the zombies back into the pit like pinball flippers.
  • Blow up the road! This is the perfect solution. You go find TNT (it’s s quarry, they must have some somewhere) or you work with gunpowder or you harvest rockets from a military base and you blow the road to bits. Actually, you could even do this bit with picks and a drill. Destroy the road. Then there is no way out.

THEN

Kill the zombies. You can kill them at your leisure, picking them off with a slingshot. It can be target practise. Don’t waste ammo, just throw heavy rocks. Or wait for the pit to be heaving full, spray out gasoline and burn them all. That’ll be a helluva brazier.

A pit and execution plan like that will require minimal maintenance. You check in every now and then. It draws more zombies in and keeps your walled city safe. Once you trap them you kill them, thinning the herd. I don’t care how many people there were in the States, there’s no only so many roaming in that area. You kill enough and there will start to not be any more.

Catch and kill is the long term plan. That’s how you’ll reclaim the world. Not catch and release.

BUT, I forgive The Walking Dead. They have to continue to power up our characters, while the zombies stay the same, so that requires them to make mistakes to be in danger. And this episode offered cool visuals, and the first real effort at taking control of the environment in an ambitious way. I hope for more civil engineering works. I want them to use their BRAINS.

Who’s with me? Anyone stand by Rick’s decision to play City Slickers with the Walkers?

London Indie Writers exists!

Mike GristLife

So after years of thinking about it and months of gathering information on what such a group might actually do, I’ve finally made my own writer’s group on Meetup.com called London Indie Writers.

http://www.meetup.com/London-Indie-Writers/

So far it has two other members: they’re both ladies, one writes romance with a high level of success, and the other writes ‘cli-fi’, or climate fiction, or science fiction about climate change. Both of them pass the group requirement of one book out with at least reviews. I’m looking forward to meeting them and talking shop.

Why make this group?

Because there’s strength in numbers. The goal is for writers in the group to teach and learn what they know about marketing and sales, and even work together in cross-promotional efforts.

How it’s different from almost every other writing group?

Most writing groups revolve around roundtable critiques. These are critiques of craft at the sentence and paragraph level- rarely at the level of long-form plot/narrative which I’m most interested in now.

Typically- writers submit their 4,000 word story/chapter, the other members read it in advance (though some groups do bizarre things like make the writer read it aloud, like it’s a poetry slam), then they sit in a circle and go around giving their critique.

These can be useful, for proof-reading errors and even to remedy persistent problems in the writer’s voice, eg: the way they describe things, how they set up a scene, etc.. They can also be destructive and self-absorbed, serving the narcissism and bullying instincts of the louder, more confident members.

They’re also predominantly stocked with writers who want traditional publication. That’s fine. they also tend to focus on getting that first work out at all. But the indie writer who self-publishes has a whole other range of concerns to think about- basically how to market and sell the book, as well as how to turn out good book after good book at a fast pace.

A lot of a book’s sales appeal comes down to ‘passive marketing’, ie the packaging of the book, which means title, cover and blurb. There’s also mailing list newsletters, promotions, blogging, and everything we need to do to ‘get visible’ in a crowded marketplace.

Box sets of multiple authors have been a big thing in the last year or so. Cross-promotion and getting blurbs from well-known authors is another. These are goals the group can consider.

So what will we do, if not critiques?

Here’s the group’s sample agenda:

– Roundtable introduce/catch-up on all writing projects, promotional efforts, sales data and any other info members care to share.
– Discussion of any hot news topics or tips in the indie/self publishing world.
– Roundtable critiques (there are critiques!) of marketing materials, such as title/cover/blurb, newsletter emails, website, blog posts (not line by line, but on the whole), and promotion plans.
– Discussion of upcoming cross-promotional efforts (no obligation).
– General discussion.

The first meet-up is in a week. I’m excited. It’ll be good to meet other indies and be able to talk about being indie without feeling like we’re being rude to those in the group aspiring toward traditional publishing.

Sorry the site was down!

Mike GristLife

My site was down the last few days- nobody knows why, not me, not my hosting service, nobody- so apologies about that if you were checking in and getting rebuffed.

I spent a few days fixing it, with a lot of trial-and-error installing, deleting, reinstalling, moving around, password changing, syncing and other stuff later, and now it is back- with only a few of the more recent posts (and comments- sorry!) missing.

Was it the 4000 comments piled up in the spam queue? Was it a hacker collaborative angered by my opinions about The Martian? Was it the fault of my webhost and they palmed it off on me?

We will never know.

Writing news

Sales plod along at a book a day- while page reads have taken a little jump up to 1000 a day for the last few days (equal to two books a day). That’s nice, and wholly inexplicable. Plus I’ve got a great graph I’ll share tomorrow. And news about my nascent indie writer’s group.

Oh- I caught one of my Chinese students reading The Last in class last friday! Yeah. But he said it had too many difficult words :(..? Still, I am happy.

Also, I came to some conclusions about Cerulean’s book, Zombie Ocean 3. I’ve been doing it all wrong! Will scrap first 10k words and pick up with much more pace. It’s a good thing.

Other news

Over the weekend we’ve been busy with culture (Royal Academy of Art where Ai Wei Wei is currently exhibiting, then Royal Portrait Gallery while classical music played live in the halls), church (we met a mirror-couple of white-guy/Asian-lady who are our age, childless, and live next to the same park we do- which is neat), social (SY’s co-worker and husband who showed us around Notting Hill) and DIY (painting the study room).

Am now knackered. The clocks went back yesterday so now I wake up and it’s light outside, but it’s already dark when I leave work at 5pm. Feel like a mole-thing tunneling my way home on the train.

How ‘The Name of the Wind’ blows Robert Jordan away – book review

Mike GristBook / Movie Reviews

nameofthewind5Take the story structure and wizarding world of Harry Potter, add the main character and creative problem-solving skills from Ender’s Game, then stir liberally with a generous helping of ‘epic’ from The Wheel of Time, and you’ll come up with Patrick Rothfuss’ 2007 debut fantasy novel ‘The Name of the Wind’.

It tells the story of Kvothe, ‘the most interesting man in the world’ as I saw him described in an amazon review, telling the story of his life in a pub. Yes, really- the whole story is backstory. It’s a guy in a pub telling a story.

For that reason I have avoided even picking the book up since its publication in 2007. How could that be interesting, a story limited to a pub comprised entirely of backstory? It just sounds so static and stodgy.

But I recently read it, genuinely loved it, and I’ll tell you why shortly.

First, the plot.

We pick up the story in a quiet inn where innkeeper ‘Kote’ is polishing bottles. This chap Kote is actually our hero Kvothe, pronounced ‘Quothe’, the badass to end all badasses, who appears to have given up his fighting/magicking/loving laurels after one bad assassination too many, and settled in to pull pints for a living.

Except the town is under siege by scraelings- hollow ceramic spiders, and the greatest storyteller of his age is coming to try and get the true story of Kvothe’s life. For fussy reasons largely to do with Kvothe’s male fae companion (paramour’ There are rumors’) pressing him to do this, Kvothe/Kote agrees to recount his whole story in 3 days.

Does this sound interesting? Not really. On the surface it appears like humdrum D and D epic fantasy. Inn, demon-spiders, story-telling, reluctant hero, adventurers popping in to be given a quest, etc?

Soon enough Kvothe starts in on his grand recitation, the first of three books in The Kingkiller Chronicles, which when complete will cover the three days it takes to tell the story. Day 2 ‘The Wise Man’s Fear’ has already been out for years, though Book 3 shows no signs of appearing soon.

Kvothe’s story begin with his early years as a gypsy-like trouper, until a Harry Potter-ish assault by Jordan-esque dark forces changes everything, and sets his life on an Ender’s Game-like training course toward conflict with his world’s mythical Voldemort/Forsaken/Buggers, the Chandrian (whose names, like Voldemort, you really shouldn’t say aloud). He starts to learn magic, music and fast-talking repartee in order to find out more about them and one day defeat them. He starts to kick ass.

Away we go. Now why did I like it, and why is it like Harry Potter?

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Kvothe with his lute on his back, heading back to the University (French cover by Marc Simonetti)

5 ways The Name of the Wind is like Harry Potter.

nameofthewind4Fans of the epic-ness of The Name of the Wind may argue this point vehemently, thinking a similarity to an essentially bloodless, passive and YA hero like Harry is downright insulting. But the similarities are unavoidable, beginning with the fact that Rothfuss being inspired by Harry is entirely possible.

1- The first Harry Potter book came out in 1997 (so long ago!), while The Name of the Wind came out in 2007, at which time Rothfuss said he’d been mulling over the idea for 10 years. So the timeline for inspiration is fine.

2- Within a few pages of reading I felt like Rothfuss’ voice was fresh, witty, fast-paced, inventive and often delightful- much like J. K. Rowling’s voice in Harry Potter. I don’t think this is easy to do at all, and I admire it greatly. It zipped the story along rapidly and clearly- in contrast to much of epic fantasy- where we expect heaps of stodgy, slow exposition.

In epic fantasy everything must be described. Tiny matters are blown up to seem of great importance. There is very little humor or actual wit. Think of the incredibly slow, stately progression of much of Game of Thrones (of course it has wit). Think of the glacial portentousness of Jordan’s Wheel of Time (no wit), incessantly bogging us down in boring exchanges, lengthy descriptions, and just nothing all that interesting happening.

All those epic crimes are nowhere in this book. It has the lightness of touch that Rowling did in introducing and describing her world. The voice is very similar in depth, pace and color. I always felt about Harry Potter that there was something brilliantly inventive on every single page, moving matters forward or showing something fascinating from her world, and it’s the same here.

3- In terms of grand plot, the stories are nearly identical. Harry’s parents are killed by mythical baddies whom you can’t name, though he survives, then when he comes of age he goes to Hogwarts to become the chosen one for his age, to train to defeat the big bad by the end.

The precise movements and structures are different, but all of that is there in The Name of the Wind. Kvothe’s parents die making him an orphan, he goes to Hogwarts (sorry, the University) and learns how to do magic with the sole intention of finding out who Voldemort (sorry, the Chandrian) is/are, so he can smack them down. There is a difference here- in Harry/Kvothe’s motivation, which I’ll come to in a minute.

4- The University (or if you prefer- the Arcanum) is basically the same as Hogwarts. Yes it is university level, though Kvothe is only 15 or so upon his entry. Yes the magic there is more detailed and more powerful than in Harry Potter, more grown-up in both demands and stakes, but otherwise it is virtually the same:

  • In terms of classes, Harry has Potions, Defense Against the Dark Arts, Broomstick Handling, Herbology and others. Kvothe has Artificing, Sygaldry, Naming, Sympathy, Alchemy and others.
  • In terms of friends, Harry has Ron and Hermione. Kvothe has Sim and Wil, who are basically both Rons. He also has Fela, who is quite like Hermione.
  • In terms of enemies, Harry has Malfoy, who is a smug, high-bred, wealthy sadistic git who looks down on Harry’s low birth and reputation from the off-set. Kvothe has Ambrose, who is basically exactly the same, though a bit more of a shit.
  • In terms of teachers, Harry has a Snape who hates him for his impure blood, a big bear of a Hagrid who cheers him on, an impartial Dumbledore, and others. Kvothe has Hemme who is much like Snape, Kilvin who is like Hagrid, the Chancellor who represents Dumbledore, and others.
  • There is no Quidditch for Kvothe to excel at. Instead he is a genius lutist.

5- The physical layout of the University and environs is very similar to Hogwarts. Maybe this can’t be helped, when setting most of a long book in a university setting, but there it is.

  • Harry has the little town of Hogsmeade to go to and curl up with a butterbeer with his pals in an inn. Kvothe has the busting town of Imre to go to and curl up with various beers and wines with his pals in the inn where he plays his lute.
  • Hogwarts has a whole bunch of mysterious, off-limits things in it and underneath it, like the room of requirement, lots of hidden caverns, and etc’ The University has the four-plate door and the Underthing.

A lot of similarities. But is any of this a problem?

No. It’s as fascinating to go through all of this with Rothfuss’ Kvothe as it was the first time with Rowling’s Harry- especially because the characters themselves are so different. Where Harry is passive, meek, moral and sweet, Kvothe is burning with ambition, arrogant and angry, often vindictive and only sweet to the weak.

Some of this comes down to childhoods. Harry had it rough all his life with the Dursleys, whereas Kvothe had it sweet with intensely loving and talented parents. This gives him cocksureness. There is also motivation.

  • Harry is just trying to get by. When Malfoy spits in his eye he largely turns the other cheek. He steps up when his friends get hurt, but doesn’t do much to go after Malfoy. Kvothe on the other hand is going after Ambrose from the off. His arrogance cannot stand to see another arrogant person, so he constantly attempts to level the scales- often to his detriment. He can’t let a good grudge go.
  • With regard to Voldemort, Harry is again just trying to get by. He’s passive. Kvothe on the other hand has taken charge of his own future, to some extent, and is on the trail of the Chandrian so he can get vengeance. Harry never even thought of going after Voldemort, he just wanted to get along. Kvothe burns with it.

A final difference is in the book by book structure, which is where Harry Potter is tight and clear and The Name of the Wind is less so. Every Harry book ends with a climax where Harry is fighting Voldemort in some fashion- whether it’s his snake, his minions, or one of the bits of his soul.

This keeps the sense of an ongoing war between Harry and Voldemort ticking along in the background constantly. There is none of that for Kvothe. The Chandrian killed his parents. That’s it. That’s all the inciting incident we get- and everything after that is training.

And training. And training. Conflict comes from running out of money or fighting with Ambrose, or completely out of left field when the Chandrian make a random slaughter-stop nearby.

So.

What is the point of all this comparison? Perhaps there is none. At the least it is interesting, and shows Rothfuss borrows the Harry & Hogwarts setup, but does his own thing.

Or does he?

 

5 ways The Name of the Wind is like Ender’s Game & Ender’s Shadow

nameofthewind3Honestly there is a lot to go on here too, and much of it I like. I love Ender’s Game and Ender’s Shadow. There is a tautness in both of those books- each telling the same key events from different perspectives- that makes the story sing.

Here are the similarities:

1- The overall structure, vital plot components, and most importantly lack of imminent threat are much the same in both books. Ender’s Game is about an exceptionally brilliant young boy who gets selected to go to Battle School so he can one day lead star fleets against the Buggers- a mysterious enemy who once almost destroyed the Earth, but at the moment pose no real threat.

The Chandrian are like the Buggers. They crashed down like lightning in the past, but they are not massing on the border now. There is no real impending threat from them, other than as a kind of cruel natural disaster. If Kvothe doesn’t ‘stop them’, what will happen? Nothing special. Not the end of the world.

There is this sense in Ender, though there it is strongly ingrained in his character and in his regret. He knows the Buggers are a ind of distant threat- but he is not training to defend the Earth- he is trying to go and destroy the Buggers completely.

I feel this lack of imminent threat works because the book is so fast. Also because it gets addressed by the end. In The Name of the Wind the outstanding threat is hardly touched again, making the book seem a bit drawn out at times.

2- Bean in Ender’s Shadow (1999, 8 years before The Name of the Wind) has a life almost exactly like Kvothe’s in Tarbean.

Kvothe becomes a scrapping genius orphan in a big city, surviving on his wits and a brutality he quickly learns. He understands that when he’s threatened, he needs to crush the threat completely. He gets an enemy early on, a bigger boy who beats the crap out of him- who he then attempts to crush completely. He harbors his grudge for years, then lets it out.

Bean is not exactly the same, as he doesn’t have Kvothe’s vindictiveness, but he understands the need to crush an enemy completely. He knows that kindness and mercy will get him killed.

Further, both Bean and Kvothe take refuge with a kind non-Fagin, who helps them at key moments in their lives.

3- Ender/Kvothe is the youngest kid at Battle School/University, and instantly goes out of his way to show everyone what he’s made of. Ender goes to the games room, where he’s not even supposed to play as a ‘launchie’, and beats a bunch of older kids at a game they’ve played for years. Kvothe rocks up penniless, breaks all the rules, gets whipped, and doesn’t even have the decency to bleed.

These are guys with the need to win written all over them. Alpha males as kids.

4- The problem-solving. I love the problem-solving in Ender, especially at moment’s like the Giant’s drink, or when he’s facing off with the several older boys who try to beat him up. He thinks mercilessly coldly and creatively and finds a way through- often a way normal people would never think of

Kvothe does the same. He solves problems throughout the book in creative ways- from dealing with his pain at the loss of his parents to facing down a Draccus in the latter parts. I would not have thought of doing what he does.

5- It’s similar to 4, but worth stating on its own: these boys are geniuses. That means they are smarter than you, me or just about anyone in the audience. It’s great to have a character like this, they’re a kind of superhero, but if the author can’t pull it off? It ends up like Rand al Thor in The Wheel of Time. All we hear is constantly how great, strong and smart he is, but we never see it. There wasn’t the wit on display, not the creativity in solving problems.

Both Orson Scott Card and Patrick Rothfuss have that wit. In what their characters say and do, I believe they are super smart. They fare better in most situations than I would. That’s what I want to read- the character who can say or do the witty thing right when it’s needed, not half an hour later on the bus going home.

Yeah. So what about the epic?

5 ways the Name of the Wind is similar to / better than The Wheel of Time

nameofthewind7I didn’t finish the Wheel of Time. I quit around book 6 when it became a really painful slog. Maybe they were looking for the Bowl of the Winds’ I didn’t know why. I think they got it, then proceeded to not really do anything with it. Characters split off and did their own thing, endlessly, pointlessly. Interchangeable bad guys popped up and got knocked down, endlessly.

It was just a long, hard grind for XP, with hardly any purple-level loot at the end. So.

1- 13 Forsaken in Wheel of Time. 7 Chandrian in Name of the Wind.

2- Lanre! One of the many fairy tales that gets told deep in the middle of Name of the Wind is the tragedy of Lanre, the leader of the evil Chandrian, which seems to very closely mirror the bad guy who kicks off the Wheel of time series in the prologue.

What’s his name? Lews Therin Telamon, OK. He was a great hero, then he went mad for some reason, being controlled by a bad guy, and became more deeply evil than anyone. His is the ultimate story of a hero fallen from grace.

Lanre is much the same. He was a hero, then he burned the world. Now he leads the Chandrian.

3- Rand al Thor keeps on powering up. Endlessly. He gets dragons on his arms then something on his palms to reflect this. He becomes a pimp-daddy to the lady and gathers up all the native desert-tribes to rally to his side.

Actually the bits that are most similar to Kvothe come in Book 2 of Kingkiller. They are extremely similar.

4- I love the way Name of the Wind is all told in one place- the University. It forces the story to not just be about going places to get things interminably (quests!!) but instead be about progression through a life and an education. We are always tight on Kvothe, and we’re always there taking steps forward with him.

In the Wheel of Time, everything is so slow. Most of it is about going places. There are human relations, but they are hardly ever important. Interactions, other than battles, rarely lead to personal growth or deeper understanding. It’s just a beat-em-up RPG with hardly any psychology in it at all.

5- There’s also precious little wit. I remember Jordan’s few efforts to have Thor’s pals tease him about how he was ‘the good one with the girls’ back in their village. I think they teased in this way about 3 times? And as far as I remember, that was it.

Kvothe’s tone, wit and voice are utterly irreverent. Nothing he does in ponderous or onerous, it’s all lightning quick and sharp and cuts through the BS. I have to love that. It’s what I want in my fiction, though I don’t know how to find it on the shelves.

It’s not just about being fast. It’s about movement- but I don’t mean from place to place. That’s just description. It’s inventive character movement, change and interaction. And problem-solving. Like the Martian.

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Redhead lutist Kvothe and pals- image by lunnarisaku.

Shall I end? This is a mammoth review. In summary, I loved this book. It has so much of what I love in other books, done in a fresh, creative, funny and irreverent way. It promises so much for the series, even if it is slightly let down by the absence of the Chandrian.

I went straight out and bought book 2. I’ll review that shortly.

5 stars.

Bible and Holly Lolly

Mike GristLife

We bought a Bible!

Actually I should say we donated for a Bible, as it was offered to us for free when we went to church again today.

Church AGAIN?!

Yes church again, but not the brainwashing rock-out of the family service we went to last time, instead back to the regular solemnity of a proper service. Now that the structure of these things is familiar to us, I start to wonder how the vicar manages to do all the repetitive readings he has to do and not go a bit mad with it.

“We have to do this every week? All this worship and Jesu talk every week?”

Our guy does it with spirit though. Afterward I talked to him and said he looks like Mark Strong- but he didn’t know who Mark Strong was!! I said it was a compliment. He dashed off to change into street duds for the rocking service.

We chatted to a lovely older guy called John, who ended up taking us to the church hall and showing us around. It’s all getting redone soon, knocked down and rebuilt, but it’s good to know where the Saturday night church quiz and barn dances are held ;).

AND- there was an ancient tome of a bible going begging at the front of church. The note said they’d taken it to Sotheby’s but it had no value, despite dating back to 1841. I think that it has to have some value, and we love old stuff, so I made a bid.

50 pounds! Accepted. They would have given it to us for free, but that hardly seemed fair. Here it is in all its simple loveliness. Older than our house.

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On the patio table.

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Interesting interior. Marbled paper? Tie-dye, perhaps?

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1841!!

AND- I promised yesterday a picture of our new Holly Lolly (lollipop) as rendered by Theodora, and here it is!

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Plus a picture of our garden now that things are getting a bit more ordered. Note the stripes in the grass- I did that (proud).

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Kingkiller & Holly Lolly

Mike GristUncategorized

I just finished book 2 of the Kingkiller Chronicles by Patrick Rothfuss- proper review forthcoming- and now I need something similar to read.

All I want is more Kvothe! There is none though, the third book in the trilogy has been expected for at least 4 years, and still no sign of it coming.

What is Rothfuss playing at? Whatever. But, three cheers for reading!!

Other news

We had Theodora come round today to design our garden. It’s gonna have red leaf trees from Japan, nice wide borders, and a ton of interesting plants.

She trimmed our holly bush to a lollipop shape (a holly lolly), and I dug deep to excavate roots on two other holly bushes.

Here I am holding the head of my vanquished foe, along with the pit it came from.

  
Writing

Sales trot along at a couple a day. I’m glad of it, but am aware I need another book and another promo soon to take advantage of this light stickiness in sales (author rank above 50,000 for 5 months now- it was below 100,000 before that).

Cerulean’s story is at 35,000 words- about a third through. Happily I figured out the bit that seemed dull- worth a post on the craft of writing in itself I think- and will crush two slow chapters into one fast one, saving words and momentum.

The problem? He climbed the steps once, then climbed them again. Once is enough, yeah?