Michael John Grist

The Red Blossom Restaurant Haikyo on the Lake Tama ring road rests as a peaceful shrine to the yin and yang of Nature, showing in gentle tones both her power to tear down the old, and raise up the new. The restaurant itself sits on a small hill like a rusted old tank, off-kilter, gap-toothed, and leering to the side. Numerous small wooden dining huts ring its sloping hillside like sleeping tors, marking out the seasons’ passage as they slowly slip from their struts and descend in arrested free-fall to the earth. At their center, a beautifully twisted cherry-tree blossoms, splashing its vibrant red petals over the tumble-down roofs and drab rain-mottled floors of the dying dining huts around it.

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The Akasaka Love Hotel Haikyo in Higashi-Yamato, Tokyo, reminds us of the importance of that old adage: ‘location location location’. Situated at the far end of a strip of Love Hotels on the Lake Tama ring road, it’s clear this place suffered for lack of passing traffic. Now its forecourt and parking lot are bouldered with rotten 80’s styled furniture, burnt-out cars, and avalanches of mounded pillows. Inside, its gaudy rooms still sing of forbidden pleasures, the walls plastered with bright helios, lurking cheetahs, and naked Bathsheba’s, though I doubt any lusty couples have joined in their bawdy chorus for some time.

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The abandoned US Air Force (USAF) base in Fuchu is a vine-slathered memento from the early days of Japanese/American war and peace, built shortly after World War II in co-operation with the still-active nearby Japan Self-Defence Force (SDF) Base, and abandoned in the 1980’s. Its huge twin parabolic dishes are still visible from the exterior- though now half-eaten up by the passing decades, rusted red and bobbing like hole-riddled yachts on the sea of green jungle. Its roads swim with weeds and trees shot up through the cracks, and its barracks buildings glisten with waterfalls of rushes and creepers, windows and doors barely peeping through the shadowy gaps.

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The Sports World Water Park in Izu is a well-hidden gem in the crown of Japan’s abandoned theme parks. Tucked away from the main theme park down a slim passage over-awed by rabid weeds, it gallops down the adjoining valley’s steep side in a furious rush, its brilliant blue umbilical water-slides snaking and inter-twining through the verdant green jungle canopy. Around its circumference the huge oval water-flume meanders bleached-white through pathways furred over with prickly weeds. Jutting up from its center and half-eaten by scraggly brush, the five-story speed-slide stands like a silent sentinel over the withered park, its roller-flumes speeding down only into clumps of thorny bush.

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The Russian Village Theme Park in Suibara, Niigata, sprawls empty and forlorn atop a small hill set back from the main road, shrouded by a thick raft of cedar trees that hide its embarassing failed extravangance from the world.  Built only 6 years ago and abandoned after just 6 months, the endeavour was ill-fated from the start: a theme park in the middle of nowhere with no rides. Now its giant fake mammoths rest unseen in their dark and musty show hall, the vibrant blue onion-domes of its vaulting ’Russian’ church slowly tarnish to white, and the shops once filled with Matroska dolls and Russian jewellry lie in vandalized ruin.

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Deep within the solid rock of the Negishi Plateau in Yokohama, spreading beneath the old race-course Grandstand and Yokosuka Naval Base, lies a twisting warren of hidden World War 2-era caverns. Once filled with ancient munitions, bustling troops, and rooms full of military dossiers, they now rest in lonely silence, unexplored for up to 20 years, their secrets stopped up behind entrances back-filled with avalanche scree and trash, overgrown by thick vines in loamy earth, and walled off with sheets of blast-concrete.

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I’ve always been fascinated by ruined buildings and abandoned places. When I was 14 I went to the ancient city of Pompeii in Italy, and was blown away. It’s hard to explain why- but it’s something about the life of the place, and the lives of the people who were there, being suddenly cut short. Whether they were killed, driven out, or just moved on, the things they leave behind tell the story of their life at that moment, a snapshot captured and crystallized like a fossil.

Haikyo in Japan are not the same as Pompeii- they’re buildings abandoned in the recent past, not ruins that have been sat mouldering for thousands of years- but they seem to flick the same switches in me that Pompeii did, powerful feelings that rumble up from within, that seem primal, that seem to cut down to something important inside. But what something important? Why this connection? What is the thrill of exploring them? I’ll attempt to answer these questions below.

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The Queen Chateau Soapland Haikyo in Mito, Ibaraki, is at once a grand but squalid folly. A bath-based brothel rising 5 fairy-tale stories into the sky, cornered with towers and capped with bright red tile, it represents an era gone mad with indulgence, audacity, and hopefulness. Now it lies in crippled ruin, its bright colors fading, its halycon days of glamor and glitz surplanted by ghost-like hangings in its dim and dusty bars. Its grand playing-card Queen still stands aloft emblazoned across the front of the building, but her stare is now more that of the toothless Ozymandius than a haughty mademoiselle.

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The Toyo Bowl in Kanagawa was a mammoth venture when first dreamed up, the second biggest bowling alley in the world behind the Nagoya Toyo Bowl, featuring 108 bowling lanes spread over 3 huge floors, along with a large pachinko hall, restaurants, gift shops, arcades, and a creche. It boasted state-of-the-art ‘natural lighting’ and ‘beautiful blue carpets’ on all floors. It encapsulated the vaulting ambition of the mid-Bubble era, when anything was possible and bigger always meant better. Now the ragged carpets, stripped lanes, trashed pachinko hall and scattered broken balls tell the story of how well that ambition fared.

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This is a short story set to music with visuals. It’s called ‘The Tower’. The visuals are from Sports World and the Negishi Grandstand. The music is by ‘A Silver Mt. Zion’- ‘Stumble and Rise on some Awkward Morning.’

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