The death of Metabolism- the New Sky Biru

Mike Grist Haikyo, Residential, Tokyo-to 16 Comments

The New Sky Building in Shinjuku belongs to the stable of architecture known as Metabolism, a 1970’s movement in Japan to create utilitarian, utopian, bolt-on and off structures that can change and evolve as needed.  It was a grand-sounding vision that never went mainstream, as Metabolist buildings were often a nightmare to construct and far too much effort to actually ‘transform’ by re-bolting. Another example is the Nakagin Capsule Hotel Tower in Shimbashi- slated for destruction.

Bolt-on modules up the left side.

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Weekly Links

Mike Grist Uncategorized Leave a Comment

Haikyo and photography links this week, as I’ve been off exploring the Internets for haikyo locations and photography inspirations.

David LaCahappelle– Thanks to Velo in the comments for this link, hyper-colorful surreal photos that you’ve probably seen before, as he shoots famous folk like Elton John and Pamela Anderson, for their album covers and whatnot.

Exploring the Paris Catacombs– Dweeb and some blokes from the UK Urbex site 28dayslater take a few days under Paris to explore and shoot photos of weird art, old graffiti, and bones.

Brooke Shaden– Thanks to J-eye for the link to this one, a photographer who does dead body shots in haikyo-type locations, plus some cool photoshop trickery.

James Okubo’s Showreel– I stumbled across this and liked it, fun clips of stuff.

Tokyo Times Haikyo– Lee went to the BE lab in Atami and posted his photos here- he’s one of the most regular haikyo bloggers (English-speaking) in Japan.

Art by Pavel– Future apocalypse shots/digital paintings, like the one I linked to for the story Route 66.

The hotel on Yamanaka lake they never finished

Mike Grist Haikyo, Hotels / Resorts, Yamanashi 7 Comments

The Yamanakako Resort Hotel at the foot of Mt. Fuji is another Bubble-era dead-end, a half-built extravagance that freezes in time the moment the crash occurred. Its rooms lie fallow and bare, uncarpeted and unpainted, with no furnishings but for dusty bath-tubs still in their vinyl casts, yet to be plumbed into the pipe-stalks jutting from the rough cement floors. Pyramidal heaps of wall-paper slowly mildew in the wind-swept hallways, alongside racks of wooden drywall frames with workers’ sawhorses standing ready for use, all of it written off and forgotten about when the economy collapsed.

lake-resort-haikyo-7002

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Route 66

Mike Grist Science Fiction, Stories 3 Comments

Black highway snaking through an empty desert, star-studded midnight sky overhead, reflecting on the polished blacktop. Constellations dot to dot across the shiny old road, here and there disturbed by the central glint of refracting cat’s eyes, forming new and curious imaginary beasts on the black surface, the earth’s alteration of the heavens’ map.

All around blocky sandstone buttes loom from the darkness, like giant gardeners tending to the strip of alien stone set through their territory. Somewhere, perhaps on the peaks of the gloomed out outcroppings, a wolf howls into the night.

desert-walk

Image from artbypavel.

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Heaven Artists- FourLegsMAN

Mike Grist Heaven Artists, Japan 6 Comments

FourLegsMAN is the creation of Heaven Artist Chikurino, a delightful fusion of creepy black-clad stalker, entrancing four-legged mime and hilariously shocking legs akimbo flasher. Like the Black Widow he draws in his prey with mesmerizing foot-work, four legs walking him smoothly on and off his box and round his den until all eyes are set on trying to determine- ‘how is he doing that, and which are his real legs?’ Then he ups skirts, the two fake legs hoist like a giant maw opening, and he charges down his unwitting prey- normally school-girls who dash away laughing hysterically.

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Gundam Building, Shibuya

Mike Grist Architecture 1 Comment

The Gundam building in Shibuya rests on its axled haunches like the ultimate guard-dog, anxiously awaiting the day it will be called into service to leap-frog into battle to protect its city, tackling Mothra or some other evil invading alien with its fire-eyes and laser tail.

It also keeps a close eye on those ‘satellites’ launched out of North Korea, ready to leap up and catch them in its big red mouth as if they were frisbees.

Mobile suit, baby!

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Collect your free drugs from this forgotten hospital

Mike Grist Haikyo, Hospitals, Tochigi 10 Comments

The Toyoshin Convalescent Centre is an oddity already sunk from the consciousness of the neighbouring area, something the local kids don’t even notice as they walk past it to and from school. No fences or barricades of any kind guard its door or driveways, packets and vials of medicine lie side by side with discarded medical records and X-ray equipment on its shelves, but no-one ventures inside because- why would they? The place is a shell neither ominous nor dangerous- something old men potter around inside singing enka songs while searching for scrap firewood, a non-place already fading from existence.

toyoshin-con11

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One Eighty

Mike Grist Science Fiction, Stories 3 Comments

Dray wakes up with the message light on his mobile phone flashing redly in his eyes. He rolls over on his futon, reaches out into the cold, and pulls it under the covers, flicks it open. Time is 11:00, 2 hours ‘til work. Checks the last message, sees it’s from his girlfriend, and plays it back.

It’s not what he expects. Her voice is frantic and she sounds terrified. “Dray,” she cries, connection hissing fuzzily. “Dray, you have to get here, I’m going crazy, there’s a, argh! (thudding booms), man at the door, remember I told you, he’s trying to get in and there’s no-one answering anywhere and everything is a mess and I don’t understand and Dray you have to-”

The message cuts out. It is dated at 2 hours ago. He cycles through the phone’s menu and tries to call her, but there is no signal. He throws the covers aside, cold air forgotten, and tries again, pacing in the darkness. No signal. He tries another number, the Japanese teacher at his school, but still no signal.

He curses. Tosses the phone back onto the futon, throws the bedroom sliding doors open and hits the kitchen light switch. But there is no light switch. He fumbles along the wall but cannot feel it. Curses again, strides to the window and throws it wide open.

It’s not what he expects. His room is in disarray, futon lying disheveled with the covers beneath it, bookshelf standing on its head and tilted into the corner, full-length mirror fallen flat and smashed to pieces. His clothes are heaped around the clothes rail, hangers jutting at crazy angles, his curtains are slumped in untidy piles under the windows, and his stereo is on its side and jutting red wiring.

But that isn’t everything. The main thing is the light bulb by his feet. He takes a deep breath, and looks out the window.

“What the,” he breathes.

The world is upside down.

picture-23

Image from here.

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Ueno’s Masahiro Tatematsu

Mike Grist Heaven Artists, Japan 7 Comments

Masahiro Tatematsu is another heaven artist like Yukinko Akira, regularly putting out a unique and innovative street-entertainment product that had to pass multiple auditions to get through. He is a self-styled bicycle percussionist, playing  a motley assortment of xylophones, mini drums, cymbals, castanets, a Tanzanian thumb piano, tambourines and more, all of which fold up and fit into the panniers on his bike. While performing he syncs these instruments together with an erudite patter explaining the blues scale as he plays it, or the African scale, or what jazz syncopation is.

Masahiro Tatematsu.

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Tokyo’s vast underground temple-drains: the G-Cans

Mike Grist Catacombs / Caves, Haikyo, Tokyo-to 16 Comments

The G-Cans Underground Temple in Saitama is probably the most massive underground flood management system in the world- comprised of 100s of kilometers of tunnels up to 50 meters underground connecting 5 vast silos and one immense water tank: The Temple. The complex spans 6.3km between Showa in Tokyo and Kasukabe in Saitama, with the power to pump 200 tons of water per second into the Edogawa river. Wow.

Image from here.

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