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	<title>Comments on: Kabuki-za, Kyobashi</title>
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		<title>By: Velo</title>
		<link>http://www.michaeljohngrist.com/2009/06/kabuki-za-kyobashi/comment-page-1/#comment-4759</link>
		<dc:creator>Velo</dc:creator>
		<pubDate>Thu, 18 Jun 2009 13:56:11 +0000</pubDate>
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		<description>I&#039;ll have to try Dogs and Demons. I read Lost Japan, and agree with you on that one. I got nothing from it but extreme annoyance. Re: the the Alan Booth book, he makes more pointed observations about Noh, etc. in the very last chapter. I&#039;m glad you&#039;re reading it. I think you two share similar sensibilities. It&#039;s not a page-turner by any means, but a very satisfying book. Too bad he didn&#039;t live to write another.</description>
		<content:encoded><![CDATA[<p>I&#8217;ll have to try Dogs and Demons. I read Lost Japan, and agree with you on that one. I got nothing from it but extreme annoyance. Re: the the Alan Booth book, he makes more pointed observations about Noh, etc. in the very last chapter. I&#8217;m glad you&#8217;re reading it. I think you two share similar sensibilities. It&#8217;s not a page-turner by any means, but a very satisfying book. Too bad he didn&#8217;t live to write another.</p>
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		<title>By: MJG</title>
		<link>http://www.michaeljohngrist.com/2009/06/kabuki-za-kyobashi/comment-page-1/#comment-4737</link>
		<dc:creator>MJG</dc:creator>
		<pubDate>Thu, 18 Jun 2009 00:55:58 +0000</pubDate>
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		<description>Gavin- Ah, good call, I meant to mention that in the article, thanks for noting.

Velo- Interesting you should mention Alan Booth- I&#039;m currently very slowly working my way through that same book- &#039;Looking for the Lost&#039; in my edition. He talks about kabuki and noh though in a very limited way, and besides is a very interesting guy. I love how he&#039;s always drinking beer and chatting to grumbly locals who want to show him some culture. His whole &#039;legend tripping&#039; thing of following famous people in their footsteps is something I&#039;m wondering if I can&#039;t adapt to be a cousin to haikyo. Just need to learn something interesting about the history of rural areas...

I got into Alan Booth randomly while searching for more books similar to Alex Kerr&#039;s &#039;Dogs and Demons&#039;, which blew my mind. I have since read Kerr&#039;s first book- &#039;Lost Japan&#039;, and that&#039;s what partly fuelled my appraisal of Kabuki. Basically- the whole book felt like a watered down version of the one to follow it, lingering unduly on and giving too much weight (in my opinion) to discussions of art and &#039;literati&#039;, basically bunches of layabouts smoking cigarillos and trying to one-up each other in decadence and niche-knowledge. Compared to the meat and bones of &#039; Dogs and Demons&#039;, it&#039;s a book full of soft and flowery sentiment.</description>
		<content:encoded><![CDATA[<p>Gavin- Ah, good call, I meant to mention that in the article, thanks for noting.</p>
<p>Velo- Interesting you should mention Alan Booth- I&#8217;m currently very slowly working my way through that same book- &#8216;Looking for the Lost&#8217; in my edition. He talks about kabuki and noh though in a very limited way, and besides is a very interesting guy. I love how he&#8217;s always drinking beer and chatting to grumbly locals who want to show him some culture. His whole &#8216;legend tripping&#8217; thing of following famous people in their footsteps is something I&#8217;m wondering if I can&#8217;t adapt to be a cousin to haikyo. Just need to learn something interesting about the history of rural areas&#8230;</p>
<p>I got into Alan Booth randomly while searching for more books similar to Alex Kerr&#8217;s &#8216;Dogs and Demons&#8217;, which blew my mind. I have since read Kerr&#8217;s first book- &#8216;Lost Japan&#8217;, and that&#8217;s what partly fuelled my appraisal of Kabuki. Basically- the whole book felt like a watered down version of the one to follow it, lingering unduly on and giving too much weight (in my opinion) to discussions of art and &#8216;literati&#8217;, basically bunches of layabouts smoking cigarillos and trying to one-up each other in decadence and niche-knowledge. Compared to the meat and bones of &#8216; Dogs and Demons&#8217;, it&#8217;s a book full of soft and flowery sentiment.</p>
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		<title>By: Velo</title>
		<link>http://www.michaeljohngrist.com/2009/06/kabuki-za-kyobashi/comment-page-1/#comment-4722</link>
		<dc:creator>Velo</dc:creator>
		<pubDate>Wed, 17 Jun 2009 14:09:11 +0000</pubDate>
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		<description>Hiya, Michael. I had to chuckle at the honesty of your assessment of Kabuki. I&#039;d love to here what you think of Noh!
 :-D
We were treated to a show at Kabuki-Za by my one of my wife&#039;s NHK friends during our last visit, back in November. I had read about the demolition of the theatre and decided we needed to go, as it would be history by the next time we got to Tokyo. At first I was shocked at the nonchalance with which Japanese tear down old things, but perhaps in this case a new theatre might spark a little fresh interest in the under-70 audiance. 

I&#039;m a little more sympathetic to the Kabuki form, I guess. I&#039;m especially impressed with the art of &quot;Mie,&quot; which literally freezes a climatic or highly emotional moment in time, like a panel from a vintage Ukio-e poster. But you&#039;re right. Too much of (what is left) of traditional Japanese culture is preserved in formaldehyde.  Very dusty and musty. . . Have you read Alan Booth&#039;s books? I just finished &quot;Searching for the Lost.&quot; He came over back in the 70s ostensibly to study Noh, and comments a lot on this &quot;preservation&quot; phenomenon. 

Cheers,
Velo</description>
		<content:encoded><![CDATA[<p>Hiya, Michael. I had to chuckle at the honesty of your assessment of Kabuki. I&#8217;d love to here what you think of Noh!<br />
 <img src='http://www.michaeljohngrist.com/wp-includes/images/smilies/icon_biggrin.gif' alt=':-D' class='wp-smiley' /><br />
We were treated to a show at Kabuki-Za by my one of my wife&#8217;s NHK friends during our last visit, back in November. I had read about the demolition of the theatre and decided we needed to go, as it would be history by the next time we got to Tokyo. At first I was shocked at the nonchalance with which Japanese tear down old things, but perhaps in this case a new theatre might spark a little fresh interest in the under-70 audiance. </p>
<p>I&#8217;m a little more sympathetic to the Kabuki form, I guess. I&#8217;m especially impressed with the art of &#8220;Mie,&#8221; which literally freezes a climatic or highly emotional moment in time, like a panel from a vintage Ukio-e poster. But you&#8217;re right. Too much of (what is left) of traditional Japanese culture is preserved in formaldehyde.  Very dusty and musty. . . Have you read Alan Booth&#8217;s books? I just finished &#8220;Searching for the Lost.&#8221; He came over back in the 70s ostensibly to study Noh, and comments a lot on this &#8220;preservation&#8221; phenomenon. </p>
<p>Cheers,<br />
Velo</p>
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		<title>By: Gavin</title>
		<link>http://www.michaeljohngrist.com/2009/06/kabuki-za-kyobashi/comment-page-1/#comment-4704</link>
		<dc:creator>Gavin</dc:creator>
		<pubDate>Tue, 16 Jun 2009 08:33:50 +0000</pubDate>
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		<description>See it while you can - it&#039;s scheduled for demolition...

http://news.bbc.co.uk/2/hi/asia-pacific/7718442.stm</description>
		<content:encoded><![CDATA[<p>See it while you can &#8211; it&#8217;s scheduled for demolition&#8230;</p>
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